Listening to Confraternities: Spaces for Performance, Patronage and Urban Musical Experience
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Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active.
Contributors: Nicholas Terpstra, Emanuela Vai, Ana L pez Suero, Henry Drummond, Ascensi n Mazuela-Anguita, Ferr n Escriv -Llorca, Noel O'Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jim nez, Sergi Gonz lez Gonz lez, and Tess Knighton.
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