Craig McDean is accustomed to shooting pop idols "en grande forme"--a playful Madonna, for example, on the cover of "Vanity Fair" or in a worldwide campaign for Yves Saint Laurent. "Lifescapes" shows that he is also adept at challenging our perceptions of the big picture. McDean calls this collection "Lifescapes" rather than landscapes because the images represent his private views--vignettes from his own travels, his road trips across the world...