Let Fury Have the Hour: The Punk Rock Politics of Joe Strummer

Book Overview

Joe Strummer's untimely death at the age of fifty in December 2002 took from us one of the truly unique voices of modern music. The quintessential Rude Boy, punker, rebel musician, artist and... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1560256257
• Release Date: November 2004
• Publisher: Nation Books
• Length: 320 Pages
• Weight: 1.00 lbs.
• Dimensions: 8.0" x 1.3" x 5.5"

Customer Reviews

Flawed but inspiring

Alright, its true, this book is filled with typos and misinformation. But none are so detrimental as to label this book useless to the growing library of Clash/Strummer literature. D'Ambrosio does an excellent job of compiling pertinent essays on the life and inspiring words and ways of Joe Strummer. Yes, some essays are definitely worse than others. Some essays make you want to blast Clash from your stereo, some make you want to go start a non-profit organization, and some just make you wish beyond belief that you could have met the man. Whatever effect the book has on you, I am certain that if you are a Clash/Strummer fan, you will walk away more inspired by and enthralled with the human being that was Joe.

Anarchy...Rebellion...Or just plain punk

The book "Let Fury Have the Hour" is a great book if you are into punk rock music. In the book Joe Strummer tells us all about what punk was all about in that era and how everything worked. Without The Clash punk would probably be just another rage that your parents would tell you about. This book is good for people any age. Joe Strummer tells about every type of music. Joe tells you about punk from the birth of it until the "death".

A Somewhat Haphazard but Welcome Message of Hope

Bottom line? This somewhat haphazard collection of twenty-five or so articles about Joe Strummer is more or less exactly the homage one would expect, with few (if any) surprises. The focus here is to celebrate the passing of a highly influential musician and his legacy as a progressive and hopeful force, while putting him in the context of his times. Most diehard Clash and Strummer fans won't find anything new here, and those unfamiliar with him may find it a bit overwhelming, but taken in small pieces, it's an inspirational tribute to Strummer's spirit. While the book would certainly benefit from from greater thematic organization (not to mention attention to detail), its heart is in the right place, and it's hard to imagine any collection of clippings and essays being any better. The book is organized into four loose sections proceeded by a very brief piece by Chuck D about The Clash's influence on Public Enemy, along with an introduction by editor D'Ambrosio. The first (and longest) section covers Strummer's career as leadman for The Clash. These are all pieces that originally appeared elsewhere, beginning with D'Ambrosio's lengthy overview which ran in the Monthly Review in 2003 and is available on their web site. There's the 1976 interview from Sniffin' Glue, gushing pieces from Trouser Press (1978), Rolling Stone (1979), Sounds (1979), a 50-page excerpt from Lester Bangs' seminal book Psychotic Reactions and Carburetor Dung, and a much-revised piece by Greil Marcus that has appeared in a number of places. These reprints are all fine, and as a collective, give a reasonable sense of the power and importance of The Clash for those not already in the know. The second and third sections are divided rather arbitrarily, and are a hodgepodge of essays and interviews mostly about Strummer's post-Clash career. The first of these is a pretty decent overview of his work in film from D'Ambrosio, who interviewed Alex Cox, Jim Jarmusch, and Dick Rude for the piece. This is followed by a nice short 1988 piece from Sounds focusing on Strummer's soundtrack work, especially Walker. The next essay, titled "The Politics of Punk's Permanent Revolution," attempts to posit that the Clash "helped precipitate a permanent revolution." It reads like something from an academic journal, and invokes philosophers from Hegel to Kant to Kouvalakis with a little Marx thrown in. There are a few promising ideas, but it's hard to take the author seriously when he writes that the album London Calling is "a perfectly awful mish mash of musical styles." Freelance writer Amy Phillips contributes an interesting article about the influence of The Clash on women, and D'Ambrosio adds one about The Clash and antiracism. Section three starts with a rather boring essay by D'Ambrosio which attempts to reframe Strummer as a political folk artist in the vein of Victor Jara or Silvio Rodriquez. It's probably more interesting if you know those artists, but is to be commended for highlighti

A Truly Great Book about Joe Strummer

Let Fury Have The Hour is a thoughtful and moving examination of the soul of creative-activist Joe Strummer who, through the medium of punk rock, became for many the "unofficial leader of a people's movement." This book may not appeal to Clash fans looking for newly unearthed trivia. D'Ambrosio has given us instead a well-chosen collection of vivid stories, both old and new, and deeply felt reflections upon the enduring importance of Joe Strummer and the Clash. I was repeatedly struck by the stories of Strummer's generosity, empathy, and gracious attention. In both his music and his interactions he proved himself a profoundly committed humanist who recognized the need for class struggle and the fight against racism, imperialism and music industry commodification. A radical consciousness imbued his music, and his melding of multicultural genres with punk and pop became a political statement for justice and equality. Joe Strummer's wish for himself was to be seen as simply "a good soul." He sought, through his music, to break and remake the world a better place. Strummer told D'Ambrosio when they met in April 2002 that the goal all along was to keep things hopeful and remain optimistic. "We must be positive and know that truth is on our side," said Strummer. "Music can turn people on to the beauty of a life still to be lived...we choose to not take any more and not be miserable." Let Fury Have The Hour is a fitting tribute to Strummer in that the book itself carries on that message of idealism and faith. This volume is artfully structured in four parts that tell the story of Strummer's musical and political legacy, as each essay delves progressively deeper into the major stages of Strummer's life and career--from his early days with the Clash through his final work on Streetcore and his end-of-life meeting with quintessential rock outlaw Johnny Cash. It opens with a broad essay by D'Ambrosio, intended for an audience unfamiliar with the Clash; followed by six exciting essays originally published in the 70s and 80s that offer up-close glimpses of the Clash unleashing its fury. The most thrilling is Lester Bangs' recapture of a performance where a whole lot of kids "supped on lightning" and Strummer "connects with the nerves of the audience like summer thunderbolts...a man trapped and screaming and...it's the cage of life itself and all the anguish to break through which...is rock `n' roll's burning marrow." The second section explores the period after the breakup of the Clash when Strummer experimented with film-acting and stayed true to his vision of building up a community of rebels. The third section places Strummer in the canon of great political folk musicians. In the last section, "The World is Worth Fighting For", a set of fresh, gorgeous essays by Anthony Roman, Not4Prophet, Billy Bragg, and D'Ambrosio himself demonstrates why Joe Strummer, still making socially conscious music to his last breath, was a hero whose pioneering life and

Let Fury Have the Hour, Antonino D'Ambrosio

"Let Fury Have the Hour" by Antonino D'Ambrosio is a thrilling book that engages as well as entertains. D'Ambrosio has put together a book that brilliantly places Joe Strummer, a ground-breaking musician and committed activist, as a model of what he describes as "creative-activism." The book's structure is wonderfully laid out, as D'Ambrosio builds from Strummer's early days with the Clash in the first section Let Fury Have the Hour, which includes essays by D'Ambrosio, Greil Marcus, Lester Bangs, and Sylvie Simmons. The following sections, "The Rebel Way," "You Can't Have A Revolution without Songs" and "The World is Worth Fighting For," are highlighted by some of the most original and challenging writings on art and activism, and certainly about Strummer and punk music. Standout essays include Charlie Bretsch's "Always Paying Attention" and Amy Philips' "A Brother in Revolution." Two essays by D'Ambrosio really captured my imagination with writing that is wholly original and passionate. These include "You Can't Have a Revolution Without Songs," which discusses Strummer as a political folk musician in the tradition of Caetano Veleso, Victor Jara, Silvio Rodriquez and others. The second is "White Riot vs Right Riot," which looks at punk, anti-racism and Strummer's commitment to racial and cultural justice. And it seems that D'Ambrosio has a line to every actor, musician, artist who has ever been influenced by Strummer as there are interviews with Tim Robbins, Michael Franti, Jim Jarmusch, just to name a few. The book is perfect for Strummer/Clash fans as they will l learn something new through D'Ambrosio's unique approach to various subjects--Strummer, punk, the Clash, political activism etc. And essays will enjoy the essays from the likes of Billy Bragg and Chuck D, two pieces that deeply moved me. "Let Fury Have the Hour" is excellent for young people, who will learn the importance of fusing creativity with a sense of social justice. It will be inspirational for artists, activists and everyone in between as the book is comes at a important time. As D'Ambrosio writes in the introduction, "echoing a favorite expression of Strummer-the future is indeed unwritten, how we write it offers us all a grand hope and a compelling opportunity."