Leading Men: The 50 Most Unforgettable Actors of the Studio Era

by Turner Classic Movies

Book Overview

Tough, sophisticated, witty, and handsomefrom Rudolph Valentino to Buster Keaton, Cary Grant to Jimmy Stewart, Humphrey Bogart to Steve McQueen, each of the actors featured in this book brought a... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0811854671
• ISBN13: 9780811854672
• Release Date: September 2006
• Publisher: Chronicle Books
• Length: 240 Pages
• Weight: 1.85 lbs.
• Dimensions: 1.0" x 7.1" x 9.0"

Customer Reviews

Wonderful Survey of Top Actors

This is a fascinating book for movie buffs. It is a compendium of 50 of the leading actors, most of them active during Hollywood's Golden Age. The book offers a short biography of each performer, a survey of his top films and awards, and trivia tidbits. The entire volume is very well presented, and the seller shipped it out very quickly, asking for a very reasonable payment. I was very satisfied with my purchase.

Grandma loved it.

For those interested in the Hollywood stars of yester-year, this is great book. My grandmother loved it, and I got her the leading ladies book, too.

I loved this book!!!!

I love this book. It has so many incredible actors that I lvoe and admire. And this book introduced me to the incredible Joel McCrea and John Gilbert. I just wish Tyrone Power, Charlton Heston, Richard Burton, Glenn Ford, Warren Beatty, Steve Cochran were also included. But...I love this book and it's a treasure. I hope a Volume 2 will be released.

It is what it is...and doesn't presume to be what it isn't.

I recently read this volume as well as its companion, Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era, and thoroughly enjoyed both while agreeing with others that the selections may have been biased if executives within the Turner Classic Movies (TCM) organization were involved in the decision as to whom to include and whom to omit. For example, Alan Ladd but not Tyrone Power. That said, both volumes offer a Foreword by Robert Osborne and an Introduction by Molly Haskell and have the same reader-friendly format which consists of a brief but adequate bio of the given actor followed by selections (with comments) of his "essential films," then a "Behind the Scenes" section. Here are a few brief excerpts. From the brief bio of Charles Chaplin: "Even as late as 1972, a decision to honor him with a special Academy Award was considered controversial, though it marked the start of a series of late-life honors for the man who helped invent motion pictures." From the brief bio of Clark Gable: "When the book Gone with the Wind became a runaway best seller, fans clamored for him to play Rhett Butler. Gable resisted (he hated period films after the failure of 1937's Parnell) but gave in when MGM agreed to pay a divorce settlement to his second wife so that he could marry Carol Lombard." From the "Essential Films" of Rock Hudson: "Although [Seconds] initially failed at the box office, director John Frankenheimer's tale of an aging businessman (Hudson) who hires a mysterious organization to fake his death and rebuild him surgically has become a cult classic." From the "Essential Films" of Steve McQueen: "In his favorite film [The Thomas Crowne Affair], McQueen was a slick millionaire who seduces insurance investigator Faye Dunaway to cover up his involvement in a bank robbery." From "Behind the Scenes"of Henry Fonda: "On the first day of shooting for On Golden Pond (1981), costar Katherine Hepburn gave [him] a fishing hat that had belonged to her longtime companion Spencer Tracy. He wore it throughout the film." From "Behind the Scenes" of Gregory Peck: "In Roman Holiday (1953), Peck improvised the moment in which he pretends to have lost his hand in 'The Mouth of Truth.' Audrey Hepburn's screams of horror, followed by delighted laughter, were real." It would be unfair to expect more of this volume than what it was intended to be: An enjoyable, often informative discussion of 50 actors of the studio era, most of whom are "unforgettable." More a quibble than a complaint, I wish those who organized the material in this volume had also identified (in a bibliography) the biography of each actor which is generally regarded as most accurate and comprehensive.

The Men's Turn...Glossy, Inconsequential Fun Though Somewhat More Definitive than the Female List

As the inevitable sequel to "Leading Ladies" released last spring, this glossy paperback covers their male counterparts in exactly the same format. Robert Osborne, longtime host of the Turner Movie Classics (TCM) and veteran film critic Molly Haskell have again winnowed down a list that presents the fifty actors they feel epitomized enduring box office appeal when the major Hollywood studios dominated the business and groomed its stars. For each of the legends, there is a full-page close-up photo, a thumbnail profile which includes even astrological sign, a select filmography of most memorable roles, selected stills, and some intriguing trivia. Like "Leading Ladies", it's all superficial but supremely entertaining for movie buffs. Whereas the top actress list Osborne and Haskell assembled has a few idiosyncratic choices (e.g., Louise Brooks), as well as some pickings from the second-tier pool (e.g., Debbie Reynolds), the final list here feels somewhat more definitive. I believe this has far less to do with comparative quality than it does with the inherent sexism of a business where male actors were more typically maintained for box office longevity given the painfully erroneous notion that actresses have shorter shelf lives. There are the obvious no-brainers included as their status has gone well beyond iconic proportions - Bogart, Cooper, Gable, Astaire, Tracy, Cagney, Grant, Wayne, Fonda, Stewart, Olivier. Brando, of course, is here as well as his Method-oriented brethren - Clift, Dean (a legacy based on just three films) and in the same generation, Newman, Poitier and McQueen. Several actors on the list have either faded almost completely or been severely underestimated in hindsight, and the editors have smartly included them here - Joel McCrea, John Garfield, Paul Muni, Edward G. Robinson and Alan Ladd are good examples. There is also a healthy dose of actors who dominated in the silent era - Valentino, Chaplin, Fairbanks, Keaton, John Barrymore, Lon Chaney, Harold Lloyd and likely the least remembered, John Gilbert, MGM's top screen draw in the 1920's and the most infamous casualty of the talkie revolution. Then there are a few whose personalities, other show business pursuits or private lives have so overshadowed their images that one tends to forget how vital they were on the big screen - Bob Hope, Mickey Rooney, Frank Sinatra, Rock Hudson, Bing Crosby. The arbitrary cut-off of luminaries included looks to be around 1960 since actors like Sean Connery and Robert Redford are not included, though I wish the editors were more forthcoming about the actual prerequisites since Peter O'Toole is here. When one looks at a list that includes stalwarts like William Holden and Fredric March, it seems odd not to include enduring actors such as Tony Curtis, Tyrone Power, Richard Widmark, Robert Montgomery and Walter Matthau. From my perspective, the most egregious exclusion is Orson Welles, who was perhaps deprioritized since his staggering filmmaki