Unlike the Sahara or Southern Africa, the rock art of Central Africa is still largely unknown today. Despite being reported as early as the 16th century by Diego del Santissimo Sacramento, the rock art of the Kongo Central, an area encompassing parts of modern day Angola, Cabinda, the Republic of the Congo, Democratic Republic of the Congo, and Gabon, has never been widely researched and its age remains uncertain. Populated by the Ndibu, one of the Kongo subgroups, the Lovo massif is in the north of the ancient kingdom of Kongo. Even though this kingdom has, since 1500 AD, been one of the best documented in Africa, from historical sources as well as ethnographic and anthropological sources for the more recent periods, it remains largely unrecognized archaeologically. With 102 sites inventoried (including 16 ornate caves), it contains the largest concentration of rock art sites in the region, representing more than 5000 rock art images. Crossing ethnological, historical, archaeological and mythological points of view, this book illustrates that rock art played an important part in Kongo culture. Like historical sources or oral traditions, it can provide historians with important documentation and contribute significantly to the reconstruction of Africa's past. French description: la diff rence des arts rupestres du Sahara ou d'Afrique australe, ceux d'Afrique centrale restent encore aujourd'hui largement m connus. Bien que signal d s le XVIe par Diego del Santissimo Sacramento, l'art rupestre du Kongo Central n'a jamais fait l'objet d'une recherche de grande ampleur et son ge reste toujours incertain. Peupl par les Ndibu, un des sous-groupes kongo, le massif de Lovo se trouve dans le nord de l'ancien royaume de Kongo. M me si ce royaume est, partir de 1500, l'un des mieux document s de toute l'Afrique tant par les sources historiques que par les sources ethnographiques et anthropologiques pour les p riodes plus r centes, il reste largement m connu sur le plan arch ologique. Avec 102 sites inventori s (dont 16 grottes orn es), il contient la plus importante concentration de sites rupestres de toute la r gion, ce qui repr sente plus de 5000 images rupestres. En croisant les points de vue ethnologique, historique, arch ologique et mythologique, j'ai pu montrer que l'art rupestre a bel et bien une part importante dans la culture kongo. Au m me titre que les sources historiques ou les traditions orales, il peut apporter aux historiens une documentation de premier plan et contribuer reconstruire le pass de l'Afrique.
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