Dans cet essai, Antoine Albalat examine la question du style en litt rature, en s'int ressant particuli rement la fa on dont les crivains contemporains d crivent le monde et les tres humains. Il montre que la confusion entre le r el et le vraisemblable est l'origine de nombreux cueils litt raires et invite les auteurs retrouver le sens de la v rit dans leur art.
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