
This is the first critical study to come to grips with the work of Ferlinghetti, a man who eludes classification because he practices most forms of art, because he is both educated (doctorate from the Sorbonne) and streetwise, and because for more than 25years...

This is the first critical study to come to grips with the work of Ferlinghetti, a man who eludes classification because he practices most forms of art, because he is both educated (doctorate from the Sorbonne) and streetwise, and because for more than 25years...