"En las historias de este libro, su autor demuestra que es un escritor con proyecto, no s lo para desarrollar un estilo de humor corrosivo hasta el hueso y un tipo de historia donde todos quedamos expuestos en pa os menores, sino de un territorio ling stico como identidad de una regi n, que ahora es tambi n testigo y generadora de una poca en la literatura mexicana. Cinco relatos que develan de golpe la condici n humana en ngulos significativos: el amor a la madre traicionado, la lealtad amorosa y su debilidad, la envidia de la capacidad ajena al cien, la obstinaci n sin sentido y el terror al fin de la c moda suplantaci n del otro. El autor descubre llagas supurantes y las restriega con crueldad donde se rompen todos los acuerdos. Un factor importante en este libro es el humor. El humor es defensa y es ataque. Vel zquez se ala, apu ala, apostrofa, deglute, vomita y divierte. Sostengo que un narrador con instinto produce textos con se ales m ltiples que ampl an el sentido de su discurso literario, y me parece que Carlos pertenece a este grupo. "In the stories in this book, the author demonstrates that he is a writer with a vision, not only to develop a style of humor that is corrosive to the bone and a type of story where we are all exposed in our underwear, but also to develop a linguistic territory as the identity of a region, which is now also a witness and generator of an era in Mexican literature. Five stories that suddenly reveal the human condition from significant angles: the betrayed love of a mother, loving loyalty and its weakness, envy of someone else's 100% ability, senseless stubbornness, and the terror of the end of the comfortable impersonation of the other. The author uncovers festering wounds and cruelly rubs them in where all agreements are broken. An important factor in this book is humor. Humor is both defense and attack. Vel zquez points, stabs, apostrophizes, swallows, vomits, and entertains. I maintain that a narrator with instinct produces texts with multiple signals that expand the meaning of his literary discourse, and it seems to me that Carlos belongs to this group.
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