`Kosher Meat` is a provocative and enlightening collection of memoir and fiction by a minyan of authors chosen by noted anthologist Lawrence Schimel. Passion, spirituality, tradition, identity, and a... This description may be from another edition of this product.
I'm in the Boston reading group referred to by another reviewer. Although I agree for the most part with his comments, I disagree about Schimel's introduction. I found it highly appropriate and suitable to the book. And let's not forget to give credit where credit is due--as editor, he's the one who found all these wonderful stories and essays!
A reading group pleaser
Published by Thriftbooks.com User , 25 years ago
My gay reading group (some Jewish, some not) read this collection of stories and essays about being gay and Jewish. What we generally liked best was the range of voices and approaches to the issue--some stories focused more on sex but others more on emotion/psychology. The favorites of our group were the pieces by David May and Daniel Jaffe (our own Boston writer--hurrah!). David May conveyed a real tenderness in his portrayal of an SM relationship. How amazing to see that two men who use pain and violence as part of their lovemaking would be most turned on by the use of Yiddish, by words. The power of words. Jaffe's piece (an essay)about an adolescent religious Jewish boy ashamed of his gay feelings is so honest. The essay makes the point that sometimes we don't want to be who we are because the conflict is so great. Both these pieces left some of our group's readers in tears. Our only complaint was that some of the other pieces were not as well-written as they could have been. Schimel's introduction is fairly weak and cutesie.
Kosher Meat is hot!
Published by Thriftbooks.com User , 25 years ago
To start, you've gotta love the title. And the chutzpah to dare to compile a book that is equal parts lust and literature and satisfies both while sacrificing neither. Playing with the volatile issues of sex and identity these stories arouse the reader and challenge assumptions-something that Schimel has done repeatedly. Lawrence Schimel (the editor of the anthology) shook up all the pat answers on gender with his Lambda award winning "PoMoSexuals" (translation: Post Modern Sexual) and continues his work brilliantly here tackling assumptions, stereotypes, and secrets with directness, tenderness, and ten fine writers. Erotic and intelligent writing is a rare commodity but Kosher Meat delivers. You may never consider the Holocaust Museum in quite the same way after reading Michael Lassell's "My People". If it were a movie, it would be a bravura performance of all dialogue and close-up shots. Understated, shimmering like a platinum print photograph, it leaves you breathless.David May's "Mein Yiddishe Tate" begins as if it were "only" porn, the anonymous leather man in San Francisco stuff. The quality of the writing is transparent at first and likewise the emotional impact of the ending is unexpectedly powerful. While wildly diverse, each of the stories adds to the mosaic of identity of being gay and Jewish-an issue that deserves quite a few books more-and a book that unexpectedly offers superlative writing. Recommended.
where the boys are
Published by Thriftbooks.com User , 25 years ago
Where the boys are (This review appeared in the San Francisco based Bay Area Reporter on August 30, 2000) The Book Report by Deborah PeiferLawrence Schimel (*Things Invisible To See*) is an editor of grace and style. His newest collection,* Kosher Meat* (Sherman Asher Publishing, $14.95), explores those places where Jewishness and queerness intersect, transect, and sometimes, painfully, vivisect. Michael Lassell's "My People," offers a shudderingly honest look at a May-December pick-up. The narrator mentions the first man he ever loved, who died in 1968. "'I wasn't born in 1968,' David said. 'That is *not* an endearing remark in any circumstances,' I told him." Patrick meets the family for the first time when his lover goes home for his father's funeral to prove that he's "The Good Son" (Brian Stein). The stories in *Kosher Meat* remind us that identity is fluid, especially when it seems most fixed.
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