In constellations of text and Xerox, Rasheed reconfigures and sabotages knowledge production and belief formation Brooklyn-based artist Kameelah Janan Rasheed (born 1985) grapples with the poetics-pleasures-politics of Black knowledge production, information technologies and belief formation. Most of all, Rasheed is interested in epistemological ambiguity--incompleteness, information (il)legibility and the use of seemingly...