John Lyly
"J ohn Lyly" by John Dover Wilson is a literary treatise written in the early 20th century. The book explores the life and works of John Lyly, focusing on his contributions to English prose, namely his novel "Euphues," as well as his role as a dramatist and innovator in Elizabethan literature. It delves into the stylistic features of euphuism, a style associated with Lyly, and its significance in the development of English literary forms. The opening of the text outlines the objectives of Wilson's analysis, emphasizing the necessity of a comprehensive examination of Lyly's influence on various literary genres. It discusses the historical context of Lyly's writings and identifies the importance of euphuism and its origins within English literature. The introduction also hints at Lyly's complex interactions with other literary figures of his time and critiques how his reputation has fluctuated in literary scholarship. This foundational chapter establishes a basis for further exploration of Lyly's stylistic innovations and the enduring impact of his work on subsequent English literature.I t was as a novelist that Lyly first came before the world of English letters. In 1578 he published a volume, bearing the inscription, Euphues: the anatomy of wyt, to which was subjoined the attractive advertisement, very pleasant for all gentlemen to reade, and most necessary to remember. This book, which was to work a revolution in our literature, was completed in 1580 by a sequel, entitled Euphues and his England. Euphues, to combine the two parts under one name, the fruit of Lyly's nonage, seems to have determined the form of his reputation for the Elizabethans; and even to-day it attracts more attention than any other of his works. This probably implies a false estimate of Lyly's comparative merits as a novelist and as a dramatist. But it is not surprising that critics, living in the century of the novel, and with their eyes towards the country pre-eminent in its production, should think and write of Lyly chiefly as the first of English novelists. The bias of the age is as natural and as dangerous an element in criticism as the bias of the individual. But it is not with the modern appraisement of Euphues that we are here concerned. Nor need we proceed immediately to a consideration of its position in the history of the English novel. We have first to deal with
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