John Gielgud: The Authorized Biography

by Sheridan Morley

Book Overview

Sir John Gielgud's acting career was among the most distinguished of his generation. In a lifetime that lasted nearly a century, he appeared in hundreds of theatrical productions and films, receiving... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0743222423
• ISBN13: 9780743222426
• Release Date: March 2002
• Publisher: Simon & Schuster
• Length: 528 Pages
• Weight: 1.90 lbs.
• Dimensions: 1.5" x 6.7" x 9.6"

Customer Reviews

Solid yet slightly lacking

Sir John Gielgud was one of the great Shakespearean thespians of the twentieth century, although I unfortunately never saw him on stage where he was apparently at his best. Morley's biography is well-written and informative, but somehow lacks a certain spark.It follows Gielgud from his childhood (from a family with several respected actors) to his early acting career, ascending from a skinny-legged boy to a much-respected actor, and then a knight and universally revered thespian. His arrest for soliciting a plainclothes policeman resulted in a reworking of laws on homosexuality. And he left behind an astonishing body of work, from a quiet man whose life essentially revolved around his work.One of the unusual aspects of "John Gielgud: The Authorized Biography" is the respect that Morley has for Gielgud. He keeps his tone constantly respectful but not fannish. His handling of potentially sordid situations (the soliciting case) is always careful and respectful, a rarity in most biographies. His handling of Gielgud's homosexuality and its place in 1940s and 1950s England is particularly good. The attitude there and then was quite different from now. Some of the best actors today -- Ian McKellen being the most prominent -- are able to be openly gay, but then it was actually illegal. Morley does a good job describing the social and legal atmosphere at that time, through conversations, letters to the editors, the press's response, and the changes in the law. One slightly frustrating aspect of the book is the lack of presence of the Gielgud family -- when one of them popped back into the narrative, I found myself wondering, "Who is that again?"Morley also offers insights into British theater and actors, including Gielgud's connections with Vivien Leigh, Lawrence Olivier, Ralph Richardson and Noel Coward. We get to hear the good and bad reviews, some from Gielgud himself, such as his disgust with his shoeless "Romeo" costume (though the picture of him in that play isn't bad). And (wow, another rarity) Morley lets us see some examples of Gielgud's undeniable wit. Though he seems to have put his foot in his mouth frequently, he had some great zingers: at one point he complained about a flatulent crew member by saying that he didn't mind dying, but must it be in a gas chamber? What is lacking? Perhaps it's a greater sense of knowledge about what made Gielgud tick. Morley knew him, but he fails overall to really let the readers really know what he was like. I got bits and pieces of his personality -- his shyness, his wit, his intense love of acting -- but not a picture of the whole. Some of the dates and situations seem unreliable or debatable. That, and I found the pictures a little unsatisfying. I like it when professional and personal photos are balanced out; this book had almost entirely professional pics.Gielgud was part of a golden generation of great actors, and had a certain quality that filled whatever stage or screen he was on. While "John Gielgud: