Jackson Pollock (Abbeville Modern Masters Series)

By Elizabeth Frank and Peter Frank

Book Overview

With more than 100 illustrations -- approximately 48 in full color -- this innovative series offers a fresh look at the most creative and influential artists of the postwar era. Modern Masters form a... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0896593843
• ISBN13: 9780896593848
• Release Date: January 1983
• Publisher: Abbeville
• Length: 128 Pages
• Weight: 1.52 lbs.

Customer Reviews

More than I ever imagined

I started out with a lot of wrong impressions, including two big ones. A: Pollock only ever did drip paintings. B: they're only drips. A: wrong, and B: wrong. I came to this book when, quite unexpectedly, I discovered that I needed to know things that his drip paintings were teaching. Part of what convinced me that I needed this information was reading about an analysis of the fractal dimension of these works, and how the dimension grew (i.e., increased in complexity) over his career - that math-y stuff works for me, it helped convince me to look more closely. No, don't expect a clear story, that's as good as I can make it. This book is by no means a catalog raisonne, but has enough of that work to get me started. (BTW, assuming that he discovered and painted some deep laws of perception, he wouldn't be the first or last artist to do so, but those are other stories.) This doesn't show Pollock's whole ouvre, it shows only part of that in color, and the reproduction (esp. B & W) doesn't rise to contemporary standards - hey, I got the book for a few bucks used, I'm not complaining. Even so, I'm learning what I came to learn - that still has no words, but I find it very satisfying. More than that, I'm learning about the larger body of work in which his fractals are embedded. It has huge energy, more than I ever realized. This author's sampling of Pollock's work shows a mental and physical intensity that perhaps only Picasso surpassed. It shows more, too, but I leave that to others to describe. Frank devoted some period of her life to creating this book and selecting the representative artworks. Of course, her text will be somewhat breathless and worshipful, given what it cost her. And, like so many art critics, she expresses clear thoughts in utterly unclear phrasing and vocabulary - to tell the truth, I edge quickly past the text to spend more time with Pollock's imagery. Still, amid all that, I find some value in reading about Pollock the man, the very odd man. I came for his thoughts, as laid down in paint on canvas, and Frank has rewarded my search better than I ever hoped. -- wiredweird