Italian Hours

By Henry James

Book Overview

"The charm of certain vacant grassy spaces, in Italy, overfrowned by masses of brickwork that are honeycombed by the suns of centuries, is something that I hereby renounce once for all the attempt to express; but you may be sure that whenever I mention such a spot enchantment lurks in it." --Henry James

In these essays on travels in Italy written from 1872 to 1909, Henry James explores art and religion, political shifts and cultural revolutions, and the nature of travel itself. James's enthusiastic appreciation of the unparalleled aesthetic allure of Venice, the vitality of Rome, and the noisy, sensuous appeal of Naples is everywhere marked by pervasive regret for the disappearance of the past and by ambivalence concerning the transformation of nineteenth-century Europe. John Auchard's lively introduction and extensive notes illuminate the surprising differences between the historical, political, and artistic Italy of James's travels and the metaphoric Italy that became the setting of some of his best-known works of fiction. This edition includes an appendix of James's book reviews on Italian travel-writing.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

• Format: Paperback
• Language: English
• ISBN: 0140435077
• ISBN13: 9780140435078
• Release Date: March 1995
• Publisher: Penguin Classics
• Length: 416 Pages
• Weight: 0.96 lbs.
• Dimensions: 0.8" x 5.8" x 7.1"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

Book with a view...

The films 'Room With a View' and 'Wings of the Dove' make one wonder about the Italy reflected in classical paintings executed before the destruction of WWII. My curiousity was heightened in an art history class when the instructor showed a photo slide of the Ponte Vecchio and told the amazing story of the Nazi pilot who disobeyed orders to destroy the last bridge the allies could cross on their advance north. This beautiful book brings to mind the saying, "The Past is a Foreign Country." Italy of the 19th Century is a place none of us can know except through records left by one who witnessed it. The book consists of essays James wrote on his travels to various places in Italy including Venice, Rome, and Florence. He visited some places several times and the text reflects the changes he observed on revisits. He records an Italy whose poverty for a time prevented the intrusion of developers, who later made many changes perhaps for the worse. James was not a worshipper of old buildings, he appreciated them, but he was also aware of the suffering of the Italians, many of whom existed in dire poverty. His reflections on various cathedrals, churches and other objects of artistic interest are humanized by his comments about the individuals he encounters. He muses on the morality of travel, "whether it has been worthwhile to leave his home [and] encounter new forms of human suffering." His awareness of the Italians themselves makes his writing a bit like that of Paul Theroux, a travler and writer in our times. James differs from Theroux however. My sense is that James is a little less likely to criticize and a little more willing to overlook unpleasantness. Perhaps that makes him less of a realist, or perhaps Italy was a more pleasant place in the 19th Century.