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Paperback Italian Food Book

ISBN: 0140273271

ISBN13: 9780140273274

Italian Food

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Format: Paperback

Condition: Very Good*

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Book Overview

In Italian Food, Elizabeth David was the first to help us understand the real country cooking of Italy.

Italian Food was an inspiration to British cooks when it was first published in 1954 - and it remains so to this day. Embracing the variety, richness and vibrancy of Italian cooking, with particularly reference to regional variation, Elizabeth David provides a magnificent and inspiring collection of favourite dishes as well as those more rarely
encountered.

With straightforward recipes for meals such as Piedmontese cheese fondue, fettuccine with fresh tomato sauce and chicken breasts with ham and cheese, Elizabeth David brings us the authentic taste of Italian food.

'Elizabeth David's clear and unpretentious directions for the enjoyment of good food have never been surpassed' Daily Mail

'Not only did she transform the way we cooked but she is a delight to read' Express on Sunday

'Britain's most inspirational food writer' Independent

'When you read Elizabeth David, you get perfect pitch. There is an understanding and evocation of flavours, colours, scents and places that lights up the page' Guardian

'Not only did she transform the way we cooked but she is a delight to read' Express on Sunday

Elizabeth David (1913-1992) is the woman who changed the face of British cooking. Having travelled widely during the Second World War, she introduced post-war Britain to the sun-drenched delights of the Mediterranean and her recipes brought new flavours and aromas into kitchens across Britain. After her classic first book Mediterranean Food followed more bestsellers, including French Country Cooking, Summer Cooking, French Provincial Cooking, Italian Food, Elizabeth David's Christmas and At Elizabeth David's Table.

Customer Reviews

3 ratings

Indispensible Scholarly Study. Buy It!

`Italian Food' is one of the three major books Elizabeth David wrote in the first five years of her culinary writing career, the other two being `French Provincial Cooking' and her first, `Mediterranean Food'. The titles of two of these three books, being about `Food' and not strictly about `Cooking' is very telling of the fact that Ms. David's major books on food are simply not like any other writer of her generation. For starters, it is a mistake to see Ms. David as `the English Julia Child'. While Julia Child was possibly the most outstanding teacher of cooking methods writing in English, Ms. David was the most distinguished scholar of English, French, and Italian cooking methods and cuisine. The hallmark of that difference was that while Julia Child reworked and expanded traditional recipes so that no detail was left to chance for the amateur American cook, Ms. David goes to equal lengths to describe exactly how Italians really cook, down to the marked inexactness of their measuring. Unlike all the great modern writers in English on Italian cuisine such as Marcella Hazan, Giuliano Bugialli, and Lydia Bastianich, Ms. David not only gives us a survey of Italian ingredients, recipes, and methods, she gives us a critique of them as well. Can you possibly imagine Marcella Hazan saying that the Italians generally do not cook eggs very well? Note that Ms. David is as rigorous about her giving the correct Italian names to things as the very best of the Italian writers, but unlike the Italians, she is really seeing Italian cooking through French colored glasses. Today, we commonly think, for example, of a frittata as a distinct type of dish. Ms. David translates `frittata' into `omelet'. Her description of the technique is perfect, something even Mario Batali would be proud to quote, but he may object to the interpretation of the dish as seen by `the F country'. The importance of Ms. David's achievement, which required a full year's research in Italy, can only be appreciated when you realize that she was working in a climate of opinion in England which saw Italian cuisine as very dull, being nothing more than variations on pasta and veal. As we are well aware today, Ms. David found an enormous wealth of regional diversity in ingredients, methods, and even language, as the same pasta shape can be called three or four different names in different parts of the country. Since this is a critical and analytical look at Italian cooking, it is done by type of dish rather than by region. And, the book is not intended to be a `complete' survey of Italian dishes. There are a few well known dishes such as `pasta puttanesca' or `timbales' which are not here, and some, such as `spaghetti alla carbonara' which are found under a slightly different name, `Maccheroni alla carbonara' (which is actually more appropriate, as many types of pasta shapes are done with this eggy preparation). One of the many things that stand out in this book is how well Ms. David's per

Absolutely The Best Book on Traditional Italian Food

I've been carrying around my 1969 Penguin editon of Elizabeth David's book for over 30 years. It's now a wreck - it's been used so much! It is absolutely the best book I have read (and used constantly) that describes the art of cooking Italian food. Great descriptions of Italian (including regional) ingredients and really easy to follow practical menus. I was so delighted to learn that a new edition of this marvelous book (first published in 1954!) was available.

An absolute must

While this book on it's own does not complete a cooks library of Italian Cuisine, on the other hand, it does contain the proper approach to the myteries, simpicities and charm of Italian food, all on it's own. The descriptions are very thourough due to it's 1950's audience who may have never heard of Risotto, Gorgonzola, Prosciutto, Gelato, or even olive oil for that matter! However, she writes so comfortably and calm that you can almost picture her leaning against the stovetop. Her book is better than probably 90% of what is out today. Since the cuisine hasn't changed (much), this book is even more useful today than the 1950's, because, now we can taste the ingredients she writes so lovingly about. I often find myself looking up something and end up wandering through other musings she weaves. The artwork is great too, I especially love the painting of The Pasta Eater.ITALIAN FOOD by Elizabeth David, combined with the works of Waverly Root, Carlo Middione, and Anna Tasca Lanza should be enough to grant anyone Italian citizenship (or at least drooling for it).
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