Euripides - Ion: "Ten soldiers wisely led will beat a hundred without a head"

By Euripides

Book Overview

Euripides is rightly lauded as one of the great dramatists of all time. In his lifetime, he wrote over 90 plays and although only 18 have survived they reveal the scope and reach of his genius. Euripides is identified with many theatrical innovations that have influenced drama all the way down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. As would be expected from a life lived 2,500 years ago, details of it are few and far between. Accounts of his life, written down the ages, do exist but whether much is reliable or surmised is open to debate. Most accounts agree that he was born on Salamis Island around 480 BC, to mother Cleito and father Mnesarchus, a retailer who lived in a village near Athens. Upon the receipt of an oracle saying that his son was fated to win "crowns of victory", Mnesarchus insisted that the boy should train for a career in athletics. However, what is clear is that athletics was not to be the way to win crowns of victory. Euripides had been lucky enough to have been born in the era as the other two masters of Greek Tragedy; Sophocles and schylus. It was in their footsteps that he was destined to follow. His first play was performed some thirteen years after the first of Socrates plays and a mere three years after schylus had written his classic The Oristria. Theatre was becoming a very important part of the Greek culture. The Dionysia, held annually, was the most important festival of theatre and second only to the fore-runner of the Olympic games, the Panathenia, held every four years, in appeal. Euripides first competed in the City Dionysia, in 455 BC, one year after the death of schylus, and, incredibly, it was not until 441 BC that he won first prize. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed after his death in 405 BC and first prize was awarded posthumously. Altogether his plays won first prize only five times. Euripides was also a great lyric poet. In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". His lyric skills however are not just confined to individual poems: "A play of Euripides is a musical whole....one song echoes motifs from the preceding song, while introducing new ones." Much of his life and his whole career coincided with the struggle between Athens and Sparta for hegemony in Greece but he didn't live to see the final defeat of his city. Euripides fell out of favour with his fellow Athenian citizens and retired to the court of Archelaus, king of Macedon, who treated him with consideration and affection. At his death, in around 406BC, he was mourned by the king, who, refusing the request of the Athenians that his remains be carried back to the Greek city, buried him with much splendor within his own dominions. His tomb was placed at the confluence of two streams, near Arethusa in Macedonia, and a cenotaph was built to his memory on the road from Athens towards the Piraeus.

• Format: Paperback
• Language: English
• ISBN: 1787371638
• ISBN13: 9781787371637
• Release Date: March 2017
• Publisher: Scribe Publishing
• Length: 72 Pages
• Weight: 0.24 lbs.
• Dimensions: 0.1" x 6.0" x 9.0"

Customer Reviews

Euripides exposes Apollo, the god of truth, as a liar

"Ion" is one of many plays by Euripides in which he tried to show his Athenian audience that when judged by ordinary human standards the gods themselves would fall short. In this play, Apollo, the god of truth, brutally rapes a helpless young girl, Creusa, and then abandons her, which is not exactly something new for one of the Olympian deities. Creusa has a son (Ion), whom she abandons in a cave; when she goes back to find the child, he is gone. Years later she marries Xuthus, a solider of fortune who becomes king of Athens, which is where Euripides picks up the story. At the start of the play Xuthus and Creusa are childless and go to Delphi for aid. There they are told that Ion, a young temple servant who has been raised from infancy, is the son of Xuthus. Creusa, outraged that Apollo let their own son die but preserved the life of a child begotten by Xuthus on some Delphian woman, tries to have Ion killed. Of course, in reality, Ion is her own child, abandoned in that cave. Condemned to death by the Delphians, Creusa escapes Ion's vengeance by taking refuge at Apollo's altar. There the priestess presents the tokens that allow Creusa to recognize Ion as her own son. Telling him the truth about his father, Ion tries to enter the temple to demand of Apollo the truth. There is some academic debate over how much "Ion" reflects the noted religious skepticism of Euripides. After all, we can certainly believe that Creusa was raped by a human and that he child died in that cave and that the priestess who bore Ion was simply setting up a convenient fiction that would make her son the prince of Athens. Apollo is the subject of the indictment, but the gods who introduce and end the play are Hermes and Athena. However, I do consider "Ion" to be one of the best examples of Euripides's cynical view of the gods the Greeks were supposed to be worshipping. Athena forestalls a confrontation between Ion and Apollo, but this particular example of deus ex machina certainly rings hollow. After all, Delphi is Apollo's holy place and if Athena's words are true, he should be there to reveal the truth to his son instead. Ultimately, "Ion" is one of the more provocative of the extant plays of Euripides.