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Paperback Ion. Rugby Ed., by A. Sidgwick Book

ISBN: 1141850052

ISBN13: 9781141850051

Ion. Rugby Ed., by A. Sidgwick

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Book Overview

This edition of Euripides' "Ion", edited by A. Sidgwick, is tailored for students of classical literature. As part of the Rugby School series, it provides a valuable resource for understanding the nuances of Greek drama and language. Euripides, a master of tragedy, explores themes of identity, divine intervention, and familial bonds in this compelling play. This edition offers insightful commentary and notes to aid in the study of ancient Greek theater and its enduring relevance.


Sidgwick's edition is designed to facilitate a deeper appreciation of Euripides' work, making it an essential addition to any student's library.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Customer Reviews

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Euripides exposes Apollo, the god of truth, as a liar

"Ion" is one of many plays by Euripides in which he tried to show his Athenian audience that when judged by ordinary human standards the gods themselves would fall short. In this play, Apollo, the god of truth, brutally rapes a helpless young girl, Creusa, and then abandons her, which is not exactly something new for one of the Olympian deities. Creusa has a son (Ion), whom she abandons in a cave; when she goes back to find the child, he is gone. Years later she marries Xuthus, a solider of fortune who becomes king of Athens, which is where Euripides picks up the story. At the start of the play Xuthus and Creusa are childless and go to Delphi for aid. There they are told that Ion, a young temple servant who has been raised from infancy, is the son of Xuthus. Creusa, outraged that Apollo let their own son die but preserved the life of a child begotten by Xuthus on some Delphian woman, tries to have Ion killed. Of course, in reality, Ion is her own child, abandoned in that cave. Condemned to death by the Delphians, Creusa escapes Ion's vengeance by taking refuge at Apollo's altar. There the priestess presents the tokens that allow Creusa to recognize Ion as her own son. Telling him the truth about his father, Ion tries to enter the temple to demand of Apollo the truth. There is some academic debate over how much "Ion" reflects the noted religious skepticism of Euripides. After all, we can certainly believe that Creusa was raped by a human and that he child died in that cave and that the priestess who bore Ion was simply setting up a convenient fiction that would make her son the prince of Athens. Apollo is the subject of the indictment, but the gods who introduce and end the play are Hermes and Athena. However, I do consider "Ion" to be one of the best examples of Euripides's cynical view of the gods the Greeks were supposed to be worshipping. Athena forestalls a confrontation between Ion and Apollo, but this particular example of deus ex machina certainly rings hollow. After all, Delphi is Apollo's holy place and if Athena's words are true, he should be there to reveal the truth to his son instead. Ultimately, "Ion" is one of the more provocative of the extant plays of Euripides.
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