Intertextuality in Literature and Film (FLORIDA STATE UNIVERSITY CONFERENCE ON LITERATURE AND FILM//SELECTED PAPERS)

By Elain D. Canalon

Starting with Dostoevsky's Double: Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial Subterfuge: The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Fancies: Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering Texts: A Qu becois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Fountain: Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Language: Intertextuality in the Works of Jos Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Pictures: Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Film: Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Indirections: Benches by Tom Phillips, by Erdmute Wenzel White

Elaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.

• Format: Paperback
• Language: English
• ISBN: 0813012872
• ISBN13: 9780813012872
• Release Date: January 1994
• Publisher: University Press of Florida
• Length: 176 Pages
• Weight: 0.60 lbs.
• Dimensions: 8.0" x 0.8" x 5.3"