Improvising Jazz

by Jerry Coker

Book Overview

Improvising Jazz gives the beginning performer and the curious listener alike insights into the art of jazz improvisation. Jerry Coker, teacher and noted jazz saxophonist, explains the major concepts... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0671628291
• Release Date: September 1987
• Publisher: Touchstone
• Length: 128 Pages
• Weight: 0.55 lbs.
• Dimensions: 9.3" x 0.5" x 7.5"

Customer Reviews

An Overview of General Concepts

I purchased my first copy of "Improvising Jazz" in 1980. I had been practicing and performing jazz at high school for about a year and this book said all the things I needed to hear at that time in my music career. What's interesting is that the content isn't really meant to be practiced or developed or anything like that. It's more of a general overview of the basic concepts and ideals of jazz improvisation. "Improvising Jazz" explains things like Swing, Melodic Development, the Role of the Rhythm Section, the Diminished scale and Functional Harmony. Thanks to this book, I had a firm understanding of "functional harmony" before I even entered college and this was partly responsible for my success in all of my theory classes.

A Classic

I had the first edition of this book when I was learning to play jazz piano in the early 1960s. It's a classic that every jazz musician should own, even if it has been superseded by more comprehensive works. It's a little short on piano voicings, and the language is definitely aimed at beginners. But it's a fun read for musicians at any level.And in the back of the book ...To avoid paying royalties, Coker prints scores of standard tunes with only the chord changes -- no titles or melodies. It's great fun figuring out what the tunes are. Some of them still have me stumped ...

The Strunk & White of jazz improvisation

I started improvising Jazz back in the early 70's. Back then every serious player I knew owned a copy of Jerry Coker's "Patterns for Jazz". Somehow, I missed owning a copy of "Improvising Jazz" until just a week ago. This book, published in 1964, is awesome. It's packed with insight and applicable techniques regarding improvisation that are as fresh today as they were nearly 40 years ago.If you already own Pattern's for Jazz, this book is totally different. "Patterns" is a 99% music whereas "Improvising" is 90% discussion and application with the music used to illustrate the discussion.My favorite passage is an excerpt the author takes from Richmond Browne on what makes a solo interesting to various listeners. Find this on page 15!It's a small book to be sure. However, this just means that it can be read over and over and physically kept in your case. Think of it as a "Strunk & White" for jazz.

Excellent "ideas" book for Improvisors

I have to admit, when I first got this book I thought, well, it's sort of small, so it must not have very much in it. Boy, was I wrong. What I found was a pretty comprehensive summary of jazz theory and how it can be applied to various situations, from the solo performer to the band. Coker is very concerned with the "education" of jazz and strives to make the reader put together pieces of the musician (thought, intellect, practice, etc.) to make a coherent whole. What I found partically helpful were the chapters on motifs, superimposition, and altered extenstions. Although this can be found in almost any good jazz book, Coker's book uses understandable charts and clear idea presentation. He helps develop ideas for motifs and how they can be modified in improv, gives good information on how polychords work and some possible superimpositions, and a great summary of what good tone extensions are for various chord types. Also, there are chapters on rhythm, partically in band settings, basic theory such as chords and scales, and ideas for transcription off records. Each chapter has practice ideas (which of course I'm way too lazy to do), and there is a big appendix at the end of all types of chord progressions to practice, or at least in my case, look at. Definitely a book to check out if other theory books don't seem to "sum it up" well.

the best general introduction to playing jazz

This is the finest general introduction to playing jazz I've ever come across. The chapters about tertian superimposition and construction of melodies are particularly helpful. Even if you've been playing jazz for some time I recommend you look these chapters over. I also recommend--for all instrumentalists--PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.