Human Dark with Sugar

By Brenda Shaughnessy

Book Overview

"Brenda Shaughnessy's poems bristle with imperatives: 'confuse me, spoon-feed me, stop the madness, decide.' There are more direct orders in her first few pages than in six weeks of boot camp...Only Shaughnessy's kidding. Or she is and she isn't. If you just want to boss people around, you're a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that's all too infrequent in contemporary poetry, that of humor."--New York Times

"Shaughnessy's voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy."--Harvard Review

"Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O'Hara."--Exquisite Corpse

"In its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity, ' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition."
--Publishers Weekly, starred review

"Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of 'snownovas' and 'flukeprints') and emotionally precise. Her 'I' is madly multidexterous--urgent, comic, mischievous--and the result is a new topography of the debates between heart and head."--Matthea Harvey, a judge for the Laughlin Award

"Seriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up."--Library Journal

In her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. "You're a tool, moon. / Now, noon. There's a hero."

Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance--anodyne, astrolabe, alizarin--then catches her readers up short with a string of powerful monosyllables. "I'll take / a year of that. Just give it back to me." In addition to its verbal play, Human Dark With Sugar demonstrates the poet's ease in a variety of genres, from "Three Sorries" (in which the speaker concludes, "I'm not sorry. Not sorry at all"), to a sequence of prose poems on a lover's body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images --not the least of which is human dark with sugar.

Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.

• Format: Paperback
• Language: English
• ISBN: 1556592760
• ISBN13: 9781556592768
• Release Date: April 2008
• Publisher: Copper Canyon Press
• Length: 96 Pages
• Weight: 0.51 lbs.
• Dimensions: 0.3" x 6.1" x 8.9"

Customer Reviews

That Difficult 2nd Book

Having totally loved her first book, and bought it for around 5 other people I know, I was looking forward to this second outing. It is not as sharp at the edges, and word-lovely as the first one, but rounded, and deeper. It took me three reads, but its worth it. Unique talent. Destined to be one of the American poets for the 21st Century.

Human Dark with Sugar

This book is unique in its structure and language. I would recommend it for anyone that enjoys poetry!

Darkness With a Pinch of Sugar Sweetness

Human Dark with Sugar by Brenda Shaughnessy arrived in the mail from the American Academy of Poets and I was pleased because I haven't read a book of poetry in some time. I think that it is only fair that I review this book on this, the last day of National Poetry Month. This second book of poetry from Shaughnessy won the James Laughlin Award. The first section of the book is Anodyne, also known as a pain-killer. This section of the book is not euphoric by any means. It is almost as if she is attempting to kill the pain with the sharpness of her words. For instance in "I'm Over the Moon:" "How long do I try to get water from a stone?/It's like having a bad boyfriend in a good band.// Better off alone. I'm going to write hard/and fast into you, moon, face-f**king.//" The second section of the book is Ambrosia, from the Greek mean of food or drink of the gods that confers immortality on the consumer. Is the narrator of Shaughnessy's poems interested in immortality? One of my favorite poems from this section is "Three Sorries," particularly the "1. I'm Sorry" section of the poem: "Soon 1. born 1970 2. Cried: all along 3. Loved: you really so very much and no others blurred into: 1. begging off for the dog-years behavior 2. extra heart hidden in sock drawer 3. undetected slept with others" It seems as though she really is not sorry for her actions or the events leading up to the incident. It's amazing how many of these poems appear apologetic and wistful on the surface, but then turn to sarcasm and bleakness. The third section is Astrolabe or astronomical instrument to surveying, locating, and predicting the positions of the sun, moon, and stars. I think the best illustration of this concept is Shaughnessy's "A Poet's Poem." "I will get the word freshened out of this poem.// I put it in the first line, then moved it to the second./ and now it won't come out.// It's stuck. I'm so frustrated,/ so I went out to my little porch all covered in snow// and watched the icicles drip, as I smoked/a cigarette.//" The poem ends quizzically: "I can't stand myself." "No Such Thing as One Bee" is another poem that illustrates this need to pinpoint a location. Shaughnessy uses a narrator that is unsure of where they are in life and how they fit into the greater scheme. Where it is a busy worker bee or a bee that goes out to collect pollen. I guess you could almost equate it to the Bee movie with Jerry Seinfeld. Overall, this is one of the better poetry books I have read in some time. I love the sarcastic and bleak language used by Shaughnessy in her poems. It's the darkest side of humanity she examines, and she tries not to sugarcoat it, but sometimes, she just can't help herself.