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Paperback How It All Began: The Prison Novel Book

ISBN: 0231107315

ISBN13: 9780231107310

How It All Began: The Prison Novel

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Book Overview

Here at last in English is Nikolai Bukharin's autobiographical novel and final work. Many dissident texts of the Stalin era were saved by chance, by bravery, or by cunning; others were systematically destroyed. Bukharin's work, however, was simultaneously preserved and suppressed within Stalin's personal archives.

At once novel, memoir, political apology, and historical document, How It All Began, known in Russia as "the prison novel," adds deeply to our understanding of this vital intellectual and maligned historical figure. The panoramic story, composed under the worst of circumstances, traces the transformation of a sensitive young man into a fiery agitator, and presents a revealing new perspective on the background and causes of the revolution that transformed the face of the twentieth century.

Among the millions of victims of the reign of terror in the Soviet Union of the 1930's, Bukharin stands out as a special case. Not yet 30 when the Bolsheviks took power, he was one of the youngest, most popular, and most intellectual members of the Communist Party. In the 1920's and 30's, he defended Lenin's liberal New Economic Policy, claiming that Stalin's policies of forced industrialization constituted a "military-feudal exploitation" of the masses. He also warned of the approaching tide of European fascism and its threat to the new Bolshevik revolution. For his opposition, Bukharin paid with his freedom and his life. He was arrested and spent a year in prison. In what was one of the most infamous "show trials" of the time, Bukharin confessed to being a "counterrevolutionary" while denying any particular crime and was executed in his prison cell on March 15, 1938.

While in prison, Bukharin wrote four books, of which this unfinished novel was the last. It traces the development of Nikolai "Kolya" Petrov (closely modeled on Nikolai "Kolya" Bukharin) from his early childhood though to age fifteen. In lyrical and poetic terms it paints a picture of Nikolai's growing political consciousness and ends with his activism on the eve of the failed 1905 revolution. The novel is presented here along with the only surviving letter from Bukharin to his wife during his time in prison, an epistle filled with fear, longing, and hope for his family and his nation. The introduction by Stephen F. Cohen articulates Bukharin's significance in Soviet history and reveals the troubled journey of this novel from Stalin's archives into the light of day.

Customer Reviews

5 ratings

A powerful work with literary merit on its own

This novel has emerged, from the ruins of the purges, like a pure, unspoiled and immaculate gem. As an autobiographical novel, one cannot deny the importance of this work to provide for insights into Bukharin's private life, given that most biographies of Bukharin are about his political and intellectual life. Not only is this work important in this regard, Bukharin's stunning literary ability comes to the forefront in this work, which details, with a humanistic empathy, the plight of the peasants, family relations and the psychology of a middle class family from the late 19th century Russian society. The novel begins with the birth of "Kolya" and is seen through the boy's eyes as he grows up. It ends, poignantly, (Bukharin did not live to finish the work) with the death of his brother. Of particular note is the rich texture of his narrative; it powerfully invokes a child-like sense of wonder that is intrinsic to children of that age. There are indeed very few works out there that parallel the vivid evocation of imagery which Bukharin is capable of. Bukharin's description of the Russian landscape was beautifully detailed, as was the heartfelt revelations about life which slipped through. It is through this work that we come to realize that the interior life of this man was not only brilliant, but that his political stance was chosen fundamentally because of his humanistic understanding of Russian peasants and the impoverished. This edition comes with very lovely pictures, too.

Stunning literary ability

Before reading this book, I knew Bukharin was a political genius that few have matched. However, I did not realize his brilliance as a writer: he appeals wonderfully to all the visual and emotional senses as a great novelist. He occasionally discusses his growing political awareness, but that is not the focus of this work. His love of life, nature, and family show the incredible depth of his mind. Much credit must also be given to the translator for making the language so effusive in English. It's a wonderful miracle that this book was not destroyed by Stalin; it's just a shame that it's incomplete, cutting off in mid-thought. Nevertheless, what Bukharin was able to complete provides an enthralling look into life in late Tsarist Russia, as well as putting us a bit closer with one of the most prominent and tragic victims of the purges.

Engrossing narrative from the eve of the revolutions

Set in the pre-revolutionary Russia, Bukharin's novel attempts to demonstrate, through the eyes of a youth named Nikolai Petrov, how the revolutionary spirit fermented and grew among the youth and intelligentsia. While this novel could be read with an eye toward the abuses of the Soviet Union and dismissed as political propaganda, in doing so the reader would miss the wealth of historical detail with which Bukharin writes. Every page is bursting with succulent fruit for anyone interested in the social, economic, and cultural world of the peasants and the working class at the turn of the century in pre-revolutionary Russia. Part of that fruit is socialism, communism, atheism, and the raging underground debates taking place during that period; seen as history, however, Bukharin gives us an invaluable insider's view, recalling his youth in all its variety and discussing the situations that led him down the path his life had taken. The story revolves around Nikolai, who is obviously a cipher for Bukharin himself. Young Kolya (Nikolai) is full of energy, wit, and curiosity. As he grows and excels in school, his thinking begins to grow as well, from that of an innocent child to that of a young man on the verge of becoming a revolutionary himself. Unfortunately, the saddest part about this novel is that it ends in the middle of a chapter; Stalin finally had Bukharin executed, making it very difficult to continue writing. The writing is so well done it is hard to believe Bukharin never had a chance to re-write it; we are reading essentially his first draft, written in prison. His astounding intellect is obvious, quoting from German, French, English, and Russian poets and authors, occasionally making references to Latin or Greek jokes the children learned in high school, and discussing the variety of birds and other animals Kolya collects with amazing clarity.

A brilliant, beautiful work

Bukharin's autobiographical work is a lyrical, moving, story of the life of a young boy in pre-Soviet russia. Unlike Leon Trotsky's autobiography, which is a similar work in content, this is a novel. And a grand one. When you read the touching descriptions of Kolya's then idyllic, then tragic domestic life, you feel helpless, sad, for you know that this boy will eventually be dead, the New World he helped to create corrupted and turned against him. The very existence of this novel is a message of hope, that even under the most tragic and ironic circumstances there can something joyous (Bukharin wrote the novel while in Lubyanka prison). The poignancy of all this is further increased by the included letter by Bukharin, written to his wife Anna Larina and not given to her for 50+ years. This book also stands as a monument (in a medium I belief he would have perhaps preferred) to Nikolai Bukharin, a brilliant scholar, writer, and Revolutionary

A remarkable book, written under remarkable circumstances.

This is a remarkable book. It combines three forms in a single work: 1) a detailed and evocative story of a boy growing up in late 19th century Russia, 2) an informative and moving autobiography of one of the most important Bolshevik leaders, and 3) commentary on the social and economic developments leading up to the 1905 and 1917 revolutions, including (in the tradition of Russian novels) imagined descriptions of important meetings of leaders of state. Most remarkable, though, is that the entire book was written in the nights of Bukharin's confinement in Moscow's Lubyanka Prison while he awaited almost certain execution following his notorious "show trial". The idea of a man who knows he could be shot at any moment writing such detailed, even leisurely descriptions of his childhood in Moscow and Bessarabia is almost beyond comprehension. Indeed, the novel breaks off in mid-sentence. This book should not be missed by anyone interested in 19th and 20th century Russian history, and will be enjoyed by anyone interested in a good coming-of-age novel as well.
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