Critics, scholars, students, and other readers of contemporary poetry have long appreciated Ashbery's uncanny mastery of the cadence and lyricism of colloquial speech, but they have been less sensitive to the equally important influences in his work of such "outsider" French poets as Arthur Rimbaud, Raymond Roussel, and Isidore Ducasse (a/k/a Count de Lautr?amont). These sometimes overlooked presences are wonderfully alive in this collection of lyric poems, which first appeared in 1992. Now back in print,Hotel Lautr?amontunderscores Ashbery's ability to be both tragic and playful, dense and volatile, passionate and impersonal. As David Herd observed inNew Statesman and Society, this is "a poetry fully and startlingly engaged with the way things happen."
This intriguing, surreal book of poems does not deserve the nasty treatment dished out by the (until now) sole reviewer of this book. I was appalled not just by the mean-spirited nature of the review but also by how strikingly different my impression of Hotel Lautreamont is. It is as though we read two different books. Whatever grudge the earlier reviewer is obviously harboring toward Mr. Ashbery, please do not let this pedantic vocabulary fetishist deter you from a truly rewarding experience. PS: The uninformed slur on General Grant is worthy of a duel!
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