Havoc, in Its Third Year

by Ronan Bennett

Book Overview

A penetrating and ambitious historical novel, Havoc, in Its Third Year is an ingenious, often deeply unnerving narrative of seventeenth-century England that speaks directly to the fanaticism and fears... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0743258568
• ISBN13: 9780743258562
• Release Date: August 2004
• Publisher: Simon & Schuster
• Length: 247 Pages
• Weight: 1.55 lbs.
• Dimensions: 0.9" x 6.6" x 9.7"

Customer Reviews

Neoconservative nightmare

This novel would be of interest if only because it covers a period that the founders of the United States sought to avoid and Cheney and his fellow neoconservatives have strived with near success to return too. Here is an England beset by superstition whose leaders rule by setting one religion against the next. Inferior as a novel to say, "An Instance of the Fingerpost," it's protagonist is a man who like Zhivago wishes only to tend his own garden and by not getting involved succeeds only in betraying his fellow man. Skillfully written, though hardly a mystery novel as some reviewers have suggested.

Bennett's best to date on what it means to be human

Knowledge of medieval English history is a boon though not a prequisite for enjoying "Havoc, In Its Third Year", a brilliantly crafted, nominally genred as murder mystery and arguably the best novel to date by Ronan Bennett. The kangaroo trial of Irish woman Katherine Shay for the alleged killing of an infant assumed to be her child is the catalyst that ignites the fire within John Brigge, a coroner and above all a good man, to get to the bottom of the case and see that justice is done even at the cost of his own life and that of his family. As an Asian reader without any knowledge whatsoever of the politics of the times as between Catholics and Protestants etc, the universality of the novel's theme about the right of an individual to exercise compassion and forgiveness (ie, what it means to be human) is one so powerful as to render any disadvantage from the lack of historical knowledge irrelevant. It seems too much of a coincidence that in my reading of the book I should be keenly reminded of Arthur Miller's "The Crucible". John Brigge bears a strong resemblence to the John Proctor character in "The Crucible" and his situation to Proctor's one-man crusade against the witch hunt of the McCarthyist era in America. Even his secret shame - a past adulterous affair he deeply regrets with Dorcas, the servant girl, his wife Elizabeth's unexpressed knowledge of it - is almost identical to Proctor's tragic situation that would lead ultimately to his undoing. Adultery, conscionable treachery, dishonourable compromise are all common failings, but there is redemption yet if one has the courage to remember what it means to be human. Bennett's writing is gloriously profound. His prose flows beautifully. There are lapses though, as when his characters disappear into their own thoughts and start to hallucinate. I also felt the story ended on a rather unsteady note. "Havoc, In Its Third Year" is nevertheless a substantial triumph that stands head and shoulders above some other more famous books published in 2004. A Booker longlist that should have been in the shortlist.

WELL DONE HISTORICAL NOVEL OF WHICH WE SHOULD TAKE HEED

The author's setting for this work in early 17th century England. This is a well done piece of historical fiction by any standard. The author has obviously done his research. Because of the time, religion, sin, faith, morals and leadership all come into play. I was struck by the timelessness of this work. When you take a close look at the problems encountered by the primary characters in the book, we find this same theme repeated time and again throughout history, indeed our own history. Many of the incidents taking place here, in 1630 could be ripped from the pages of "Grapes of Wrath." It does not take a great leap to turn on the evening news and catch glipses of the very problems the author addresses here. That being said, I do feel the author's wonderful use of the language, his character development and insight to human character make the book well worth the read. Very much recommend this one. It should make you think!

"No toleration for any crime, error, or sin, however slight"

Set in the north of England in the early 1630s, this novel artfully captures the political, social, and religious turmoil during the reign of King Charles I. A distant and autocratic king, Charles fails to take into account the enormous religious changes sweeping both Europe and England and undermining his own power. Puritanical grassroots movements have now sprung up, with many local leaders, both religious and civil, calling for reform and purification. John Brigge, a coroner living in the remote countryside, is one of twelve reform-minded governors aiding Nathaniel Challoner, the Master, in his "Revolution of the Saints" and his project to "build a city on the hill." Though he attends the prescribed protestant church, Brigg is in reality a "papistical malignant," a man who walks the difficult line between the Puritanism of the Master, a lifelong friend, and his belief that "men must have mercy, for without mercy we are savages." When Brigge is suddenly called to conduct an inquest on an infant found dead in a local pub, he discovers that Katherine Shay, a Catholic deemed "prideful, brazen, and uncontrite," has been arrested for the murder. With numerous subplots and much intrigue, the story of Katherine Shay's arrest and John Brigge's search for justice on her behalf evolves. The period comes to life on every level of society as the author shows in realistic detail the kinds of gruesome punishments meted out for "sins," the harshness of life for the homeless poor, the dependence of farmers on luck and weather, the fragility of life, the excesses of religious extremism, and the abiding power of love. Realistically presented motivations for some of the extreme behavior in the novel make the Puritan characters come alive, as John Brigge, a man who sees more than one side to each issue, becomes a protagonist for whom the reader develops much sympathy. The elegant and formal language of the novel resembles that of the Bible. Filled with observations of the harsh natural world but revealing the humanity of the main characters, the novel has a rare historical integrity and unity, with poignant applications to the present day. Despite its forbidding subject matter, the novel is exciting--full of well-paced action and suspense. Many characters have biblical parallels, obvious in their names--Elizabeth, Deborah, Starman, and John Brigge, sometimes known as Germanus. The religious parallels are unobtrusive during the body of the novel, but the ending is overtly symbolic and didactic, the book's artistry and elegance subordinated to message, and its thematic balance and restraint sacrificed to an overly obvious, religious conclusion. (4.5 stars) Mary Whipple