Guide to Postproduction for TV and Film: Managing the Process

by Susan Spohr and Barbara Clark

Are you an associate producer who needs to juggle projects and vendors while keeping on top of the latest trends and formats? Or an independent filmmaker who can't afford a misstep in the crucial... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0240803221
• ISBN13: 9780240803227
• Release Date: April 1998
• Publisher: Focal Press
• Length: 256 Pages
• Weight: 0.90 lbs.
• Dimensions: 0.6" x 7.0" x 9.3"

Customer Reviews

This step-by-step guide to managing the postproduction process is an essential reference

Now in a fully updated and expanded second edition, Guide To Postproduction For TV And Film: Managing The Process continues to be a seminal work for aspiring film and television production producers and managers. With extensive new material on high definition as it affects dailies, editing, and delivery, this step-by-step guide to managing the postproduction process is an essential reference. Aspiring producers will learn how to stay on budge and on schedule by utilizing the helpful forms, flowcharts, and checklists provided them. Of special note is the chapter of the film laboratory which has been expanded to include discussions on troubleshooting film damage. Also not to be missed is the latest information on film restoration, maintaining film assets, digital technologies, acquisitions, and the chapter on what's on thee horizon for postproduction technologies and trends. The Guide To Postproduction For TV And Film is a core addition to personal and professional filmmaker instructionals, as well as film school library reference collections.

Post-Production Bible!!!!

Susan Spohr and Barbara Clarke have created nothing short of a post-production bible. BRAVISSIMO to them both!! I would not have survived the last year in my job without their brilliant book!!! Everything flows in a clear, concise way, bringing the reader visually into the post-production process. Read this book and keep it with you as a reference tool! I guarantee you it is well worth your time!

An Excellent Handbook

The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.

An Excellent Handbook

The Guide to Postproduction for TV and Film: Managing the Process is an excellent resource for anyone working in the entertainment industry. I haven't been able to find another book that so effectively takes you through the nuts and bolts of post production, from scheduling all the way through to delivery. If you are an entertainment executive, a film student, or anywhere in between, this book will be an invaluable resource. I've been working in the film and television industry for twelve years and this book has helped me in jobs at two major television networks and in feature post production at several studios. The new edition provides accurate and up to date information and is the only book I've been able to find that adequately covers the film laboratory. The Guide is the one book I always have at my desk. I strongly recommend it.

A comprehensive production/post production management tool

A good book for those who want to know how to manage the process of production and post production. Contains tables, flow charts and practical lists. Be aware, reader, that this book does NOT contain editing theory and/or aesthetics.