Ghosts, The Wild Duck, Rosmersholm(3 Plays)Ghosts is a play by the Norwegian playwright Henrik Ibsen. It was written in 1881 and first staged in 1882 in Chicago, Illinois, in a production by a Danish company on tour. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, which includes religion, venereal disease, incest and euthanasia, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a "great play" that historically holds a position of "immense importance".The Wild Duck is an 1884 play by the Norwegian playwright Henrik Ibsen.The first act opens with a dinner party hosted by H?kon Werle, a wealthy merchant and industrialist. The gathering is attended by his son, Gregers Werle, who has just returned to his father's home following a self-imposed exile. There, he learns the fate of a former classmate, Hjalmar Ekdal. Hjalmar married Gina, a young servant in the Werle household. The elder Werle had arranged the match by providing Hjalmar with a home and profession as a photographer. Gregers, whose mother died believing that Gina and her husband had carried on an affair, becomes enraged at the thought that his old friend is living a life built on a lie.Rosmersholm is a play written in 1886 by Norwegian playwright Henrik Ibsen. In the estimation of many critics the piece is Ibsen's masterwork, only equalled by The Wild Duck of 1884.[1] As expressed by the protagonist, Rosmer, the theme of the play is social and political change, in which the traditional ruling classes relinquish their right to impose their ideals on the rest of society,[2] but the action is entirely personal, resting on the conduct of the immoral, or amoral, "free thinking" heroine, Rebecca, who sets herself to undermine Rosmer's religious and political beliefs because of his influential position in the community. Rebecca has abandoned not only Christianity but, unlike Rosmer, she has abandoned the whole ethical system of Christianity as well. Possibly she may be taken as Ibsen's answer to the question of whether or not Christian ethics can be expected to survive the death of the Christian religion
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