Garageband for Mac OS X

by Victor Gavenda

Uses step-by-step instructions, visual aids, and time-saving tips to explore each aspect of Apple's music-making software, from using GarageBand's interface to creating, arranging, and recording music... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0321272811
• ISBN13: 9780321272812
• Release Date: January 2004
• Publisher: Peachpit Press
• Length: 263 Pages
• Weight: 1.00 lbs.
• Dimensions: 0.6" x 7.0" x 9.0"

Customer Reviews

Garageband help

This book is for the serious garageband user. Loaded with detailed info. Abundant illustrations.

Really Helps You Understand GarageBand

When GarageBand was first introduced, I was totally jazzed about the notion that I, a musically challenged person, could create some cool music to use as background for my videos. I grabbed the iLife Suite, installed GarageBand, and quickly discovered that this "simple" program was beyond my abilities. I didn't really understand the difference between a tempo and a time signature. I told you - musically challenged. Victor Gavenda explains it on pages 32 - 33. He goes on to talk about choosing a key and why you might choose certain ones. After reading this, I am no longer intimidated by the prospect of setting up a song. He does a great job of covering all of the other elements of the interface. I now know the difference between a track and a region, and between Real Instrument Tracks and Software Instrument Tracks. Gavenda explains the color coding for these and tells you how to add, delete, select, mute or solo a track. There is thorough info on music loops and Apple Loops in particular. He explains that Apple Loops contain "metadata" that GarageBand reads and sorts them into categories in the Loop Browser. If you want to use the Button View to find loops, it uses the metadata there, too. Until I read page 67, I didn't realize you could customize Button View. You can move or change keywords on buttons and expand the Loop Browser to show more buttons. After reading the section on adding loops to your song, I now understand why I couldn't see all of the loops I knew I had. I needed to start out with a time signature of 4/4 if I was going to build a composition mostly from loops. Given my musical skills, I have to build mine entirely from loops. There is a nice section on hardware for recording audio, and hardware for software instruments. He tells you what you need to consider and what features to look for. It is followed by a section on recording software instruments and re-recording a section of a song. In later chapters, he shows how to select, copy, move, resize, loop, split and join regions. Until I read chapter 8, I didn't realize that every item you put in the song is a region.) There are tips for adding effects and doing advanced editing, too. If this book can help a musical whiz (not) like myself, it can surely help you.