Presents Faur not as a solitary figure, but part of a vibrant continuum of nineteenth- and twentieth-century composers and the first member of a French musical 'trinity', with Debussy and Ravel. A composition professor at the Paris Conservatoire since 1896, and its director from 1906 to 1920, Gabriel Faur (1845-1924) was said to have created no school as Cesar Franck had before him, encouraging originality among his students rather than emulation. This collection portrays Faur , influenced by Wolfgang Mozart, Fryderyk Chopin, and Felix Mendelssohn, plus the poetry of Charles Baudelaire and Paul Verlaine, as an early Modernist who provided a reference point for Claude Debussy, Maurice Ravel, and Francis Poulenc. Casting a wide net, it explores Faur 's influence on his younger contemporaries Lili Boulanger and Frederick Delius, as well as on the later twentieth-century American composers Aaron Copland, Walter Arlen, Robert Helps, and Ned Rorem. Faur no longer appears as a solitary figure, but part of a vibrant continuum of nineteenth- and twentieth-century composers, and the first member of a French musical 'trinity' that included Debussy and Ravel.
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