From the Sin-E Cafe to the Black Hills: Notes on the New Irish

By Eamonn Wall

Readers often have regarded with curiosity the creative life of the poet. In this study, David Bethea illustrates the relation between the art and life of 19th-century poet Alexander Pushkin, the central figure in Russian thought and culture. Bethea shows how Pushkin, on the eve of this 200th anniversary, still speaks to our time. He indicates how we, as modern readers, might realize the promethean metaphors central to the poet's intensely sculpted life. The Pushkin who emerges from Bethea's portrait is one who, long unknown to English-language readers, closely resembles the original both psychologically and artistically.

• Format: Paperback
• Language: English
• ISBN: 0299167240
• ISBN13: 9780299167240
• Release Date: February 2000
• Publisher: University of Wisconsin Press
• Length: 154 Pages
• Weight: 0.50 lbs.
• Dimensions: 0.4" x 6.0" x 9.0"

Customer Reviews

An Irishman on the American Road

University presses, presses period, unfortunately shy away from essay collections, which is what this volume essentially is. They claim such books do poorly on the market; if that's so then the contemporary American readership--at least those with an interest in the American-Irish interface--needs to wake up and smell the coffee at the Sin-e cafe. Every chapter here is, like they say, worth the price of admission. This is a book of poet's essays--Wall has published three extraordinary collections of poems--so if you are devoted exclusively to "unified," thesis-driven works, its wide-ranging, eclectic energy might be off-putting. The book is travel, research, investigation--think Herodotus, but with a drawling Wexford accent. From the Sin-e Cafe to the Black Hills is a work of calm intelligence, good humor, and acute literary cultural observation.

A University Press book with Heart

University Press books are most often expensive, somewhat boring, and serve a relatively small audience. Not this one. From the Sin e is not only affordable, it's quite readable too. Wall's work is spare yet clear, and he informs us well, not overbearingly. The book is a bit of a conundrum - part remembrance, part criticism, part travelogue, part creative exposition, yet all of it quite interesting. Wall understands the psyche of the nascent "Irish-American" identity. It's made to be read in pieces, which some might consider a flaw, as there's no real cohesion to the parts.