Frankenstein [Irish]

By Mary Shelley

Sc al corraitheach faoi uaillmhian, obsession, agus na hiarmhairt a bhaineann le br thar theorainneacha tuisceana an duine. In Frankenstein, cuireann Mary Shelley aithne ar Victor Frankenstein, eola at tiom inte ag d il gan staonadh chun beatha a chruth , gan aghaidh a thabhairt uirthi ach le hiarmhairt uaf sacha a chuid gn omhartha. F achann an t-ollph ist oc nach a rugadh thurgnaimh Frankenstein go nglacfar leis ach ina ionad sin faigheann s for igean agus di lt , rud a scaoileann sa deireadh ar th ir trag ideach d oltais. D anann an sc al corraitheach seo ini chadh ar th ama na f ini lachta, na cruthaitheachta, agus na freagrachta mor lta, at f s ar cheann de na saothair is buaine den fhicsean Gotach.

Clasaic Gotach gan r is ea Frankenstein a thugann l argas ar th ama domhain na huaillmh ine, riocht an duine, agus na cont irt a bhaineann le for-rochtain eola och. Ins onn s rshaothar Mary Shelley sc al Victor Frankenstein, eola g uaillmhianach a thugann a thurgnamh ceannr da och cr at r nach bhfuil smacht aige ar an saol. Agus l onta le aif ala domhain, t ann Victor i ngleic leis na hiarmhairt eitici la agus moth ch nacha a bhaineann le bheith saorga a chruth , agus t ann an cr at r, ag d il le glacadh agus tuisceana, isteach sa dorchadas i measc cru lacht an domhain.

Agus suite i gcoinne th rdhreacha suaracha na hAlpa hEilv ise agus fairsinge oighreata an Artaigh, is saothar an-atmaisf ir Frankenstein le Shelley a bhfuil sp is ag l itheoir air leis na gl nta a chuaigh thart. D anann an t- rsc al ini chadh ar n d r d ach na daonnachta, ar th ir an eolais, agus ar na hiarmhairt a bhaineann le huaillmhian neamhsheice il. Idir sc al uaf is agus ini chadh feals nach domhain, maireann Frankenstein mar cheann de bhunshaothair an fhicsin eola ochta agus na litr ochta Gotach.

Le carachtair iontacha, su omhanna corraitheacha, agus sc al a scr da onn crosbhealach na nu la ochta agus na heitice, tugann Frankenstein d shl n do l itheoir machnamh a dh anamh ar cad is br le bheith daonna. Sol thra onn an t-eagr n seo, at mar chuid de Chnuasach Litr ochta Clasaiceach Autri Books, cur i l thair inrochtana ar shaothar Shelley do l itheoir nua-aimseartha, rud a ligeann do na gl nta nua illeacht agus castacht an rsc il rnua seo a fh il amach.

• Format: Hardcover
• Language: Irish
• ISBN: B0DPJV2DPK
• ISBN13: 9798330663569
• Release Date: December 2024
• Publisher: Autri Books
• Length: 220 Pages
• Weight: 1.09 lbs.
• Dimensions: 0.6" x 6.0" x 9.0"

Customer Reviews

"Curssed, curssed, creator." - The monster

Victor grew up reading the works of Paracelsus, Agrippa, and Albertus Magnus, the alchemists of the time. Toss in a little natural philosophy (sciences) and you have the making of a monster. Or at least a being that, after being spurned for looking ugly, becomes ugly. So, for revenge, the creature decides that unless Victor makes another (female this time) creature, Victor will also suffer the loss of friends and relatives. What is Victor to do? Bow to the wishes and needs of his creation? Or challenge it to “the death”? What would you do? Although the concept of the monster is good, and the conflicts of the story are well thought out, Shelly suffers from the writing style of the time. Many people do not finish the book as the language is stilted and verbose, for example, when was the last time you said, "Little did I then expect the calamity that was in a few moments to overwhelm me and extinguish in horror and despair all fear of ignominy of death." Much of the book seems like a travel log filler. More time is spent describing the surroundings of Europe than the reason for traveling or just traveling. Many writers use traveling to reflect time passing or the character growing in stature or knowledge. In this story, they just travel a lot. This book is worth plodding through for moviegoers. The record needs to be set straight. The first shock is that the creator is named Victor Frankenstein; the creature is just a "monster", not Frankenstein. It is Victor who is backward, which adds to his doing the impossible by not knowing any better. The monster is well-read in "Sorrows of a Young Werther," "Paradise Lost," and Plutarch's "Lives." The debate (mixed with a few murders) rages on as to whether the monster was doing evil because of his nature or because he was spurned.