The book is a continuation of the previous author - "The substance of literature" (M .: Languages Slavic Culture, 2001). We are still talking about the theoretical aspects of the ontologically oriented poetics, on the principles of detection in a fiction that can be called "unreadable" in the text, or "non-obvious semantic structures." The difference between the two books is basically only selected materials. In the first case it was a Russian literary classics, here the classics of Western from the tragedies of Shakespeare and I. V. Gote to romantic "fairy tales" Barry J. and A. Milne.. Heroes of the study are not only characters, but also the elements of the world, with whom they come in a variety of relationships: material, shape, volume, sound, direction of travel, etc. All that is ontological (directly unreadable) motivated "visible". explicit plot and gradually draws its logic and configuration.
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