Five Hundred Years After (The Khaavren Romances)

by Steven Brust

Book Overview

Stephen Brust continues the Khaavren Romances, his remix of Alexandre Dumas' d'Artagnan Romances, with Five Hundred Years Later, extending his a fantasy twist to the original The Three Musketeers... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0812515226
• Release Date: March 1995
• Publisher: Tor Fantasy
• Length: 576 Pages
• Weight: 0.65 lbs.
• Dimensions: 6.7" x 1.2" x 4.2"

Customer Reviews

An entertaining jaunt into Dragaeran society.

What would the Three Musketeers have been like 500 years after they originally fought together, in say oh, on our timeline, April 2125. In The Phoenix Guard Brust introduced his three musketeers, and they had a similar parting of ways, but now forces are gathering to cause problems, Mario walks the world, and the friends get together again to save it.I enjoy the adventures of Vlad Taltos, but this book and it predecessor are perhaps the most entertaining of the lot. Taltos is an outsider in the Dragaeran Society, Khaavren, Aerich, Tazendra, and Pel are within it. Their adventures are no less enjoyable than those of Athos, Porthos, Aramis, and D'Artagnan. Written with the same tongue and cheek perspective as the Taltos series, these books provide an intersting view of classical characters.

An excellent sequel to a superb book

The Phoenix Guards is one of the few books I would recommend to anyone without reservation, and I think I could do the same with 500 Years After. Stephen Brust, I am certain, took great pleasure in writing this novel, savouring every word in his baroque descriptions of his characters, their intrigues, and the incredible setting of the city of Dragaera. After years of hearing about Adron's Disaster from the Vlad Taltos novels, we finally get to see that terribly tragedy, as Adron makes decent, honourable efforts to do his duty to the Empire as he sees fit. Of course, Khavvren, Pel, Tazendra, and Aerich are there to see it, and to try to stop it. Frankly, I enjoy this series even more than Vlad Taltos, and I hope the third installment will appear eventually (it's been a long wait).

Fun! Witty! And a darn good yarn!

Brust's style throughout is flowery... so if that turns you off then don't bother reading this fantasy written in the dramatic and flowery style of Dumas. Loads of fun. A good book to curl up under the covers with, with interesting and convincing characters, a well-conceived universe, and thought-provoking ideas. I can't wait for the next one in the series!

Overwritten and brilliant

Althogh a big Vlad Taltos fan, these fantasies are my favorite Brust novels, and rank among my favorite comic fantasies (including Jack Vance's "Lyonesse" and John Barnes' "One for the Morning Glory," but not including anything by Piers Anthony or Terry Pratchett.) The fictional author Paarfi is supposedly paid by the word (like his alter-ego, Alexandre Dumas) and it shows: this is one of the most verbose, long-winded and pompous novels I have ever read, yet Brust is obviously having such a good time with the language that I was drawn in inexorably and found myself munching through the long book at an incredible pace. Brust can spend ten pages saying absolutely nothing, yet it remains facinating. I dont want to give the impresion that nothing happens: there is lots of action, subterfuge, and plenty of weaves and twists. Longtime Taltos fans will be thrilled to finaly meet the elusive Mario. Yet the fictional author spends plent of time in the detials, in the characters, and in self-absobed preening. If you want a fast, bang-em-up hack and slasher, do not buy this book. If, however, you are a lover of rich, textured language and the ludicrous, then buy this book. Right now.

Sparkling with literary magic

It seems clear from this book that the author had in mind his own enjoyment as much as that of the reader. This self-contentment is reflected in the intricacies of the characters' interplay and the multi-layered, satisfyingly complex plot. For me, it is the author's best work, although the self-referential mythology may put off the casual reader, as may the romanticised style utilised. It is darker in tone than the previous Phoenix Guards, but the harder edge is matched by the richer flow of emotion from all concerned. It is an exciting ride, and one on which you feel the author is a fellow traveller rather than leading the way.