Materialist, feminist, queer, hybrid--channeling the sensibilities of Gloria Anzald?a, Rosario Castellanos, Mary Kelly, Teresa Hak Kyung Cha, Cecilia Vicu?a, Patssi Valdez, Bernadette Mayer--Carroll's second collection of prose poems and wordimages contemplates the cost of living in an era of "cruel optimism." Procedurally
formalizing self-editing and indecision, Carroll undocuments the quotidian's shades of gray/grey, the contingencies of post-Fordist relationality in the pre-Occupy window of time between September 11, 2001, and the 2008 recession. "Cognative dissonance" meets "the rite to be a citizen." "What is the difference between
neoliberalism and globalization?" tempers the countercultural question "And, me?" In Fannie + Freddie / The Sentimentality of Post-9/11 Pornography, Carroll muses, "Like Sammy and Rosie, Fannie and Freddie got laid."
Related Subjects
Poetry