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Hardcover Expressionism. a Revolution in German Art Book

ISBN: 3836520052

ISBN13: 9783836520058

Expressionism. a Revolution in German Art

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Format: Hardcover

Condition: Very Good*

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Book Overview

German Expressionists were uneasy and angry. Emerging at the dawn of the 20th century, they railed against Christian and bourgeois values as much as rampant urban industrialization. Anti-imperialist, they were dispersed, shattered, and depleted by the horrors of the First World War, and rallied their efforts only to be officially erased by the Nazi "Degenerate Art" exhibition of 1937. In this comprehensive TASCHEN collection, Head of the Gerhard Richter Archive Dietmar Elger gathers the many artists and elements of this urgent, scattered, complex movement into one authoritative overview of its protagonists, principles, and essential role in 20th-century modernism. Finding a critical calm amid the frenzy of color and distortion, the book distills Expressionism's leading collectives, Die Br cke and Der Blaue Reiter, as well as its regional characteristics across its Berlin and Munich hubs, and its North German, Rheinland, and Viennese variants. Along the way, we compare and contrast themes and stylistic choices as this dispersed group of artists wrestled with their modern industrial reality. We find luminous streaks from Wassily Kandinsky, and the sickly hues of Ernst Ludwig Kirchner, the futurist facets of Franz Marc, and a partial Impressionist throwback in the gaudy dabs of Emil Nolde. We walk into seedy bars with bloated old men, and then enter a claustrophobic yellow room occupied by an awkwardly posed nude. We are crushed in a cacophony of city sound and smoke, and then left alone with woods, a lake, and silence. Spanning this richness and range in Expressionist output, Elger features such well-known figures as Beckmann, Kandinsky, Kirchner, Kokoschka, Nolde, Schiele, while taking care to present inadequately studied artists such as Conrad Felixm ller, Ludwig Meidner, and Marianne von Werefkin. The result is an expansive, inclusive, dependable digest of a vivid, often violent mode of expression, and the yearning and unease behind its frenzied paintwork.

Customer Reviews

3 ratings

good art, bad editing

Great book, good illustrations. Some of the chapters are very badly edited, however. One repeats the phrase "his illness, from which he never recovered" four times in a short chapter. More typically, they end abruptly with no proper conclusion, as if chopped so as not to exceed space limitations. The writing/editing is the disappointing weak point here. Other times, terms are dropped or events referenced that have not yet been explained in the text. As an art book, the strength of the art can carry it. But it's a shame that it had to be this way.

Bad translation

I think that there is a good balance between text and images, and the images are of high quality. However, this book and other Taschen books that I have read suffer from poor translation. I work in translation and it appears to me that they did not use a native English speaker to translate from the German, as there are quite a few clunky sentences.

If you do not want to read, by postcards instead...

Picture books are nice... but if you want some information too, it'll have to be some text in it, otherwise you might as well buy a postcardbook instead... It is beyond my comprehension that someone here critisizes a book for providing information instead of images only, and this you find plenty in here.
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