Dans Esther Tellermann: nigme, pri re, identit , premi re monographie consacr e l'oeuvre de l' crivain, Aaron Prevots met en lumi re un regard po tique novateur sur des r alit s tant int rieures qu'ext rieures. Il montre comment Tellermann (1947-) explore l'intime du monde, ses textures et ses contours, ses terres insituables semblant s'entrecroiser, et le r ve et le mythe faits tremplin pour une travers e renouvel e de l'Histoire et du deuil. Il appr hende le caract re nigmatique de longues suites de chants dont la forme peut s'apparenter celle de la pri re, ainsi que les enjeux identitaires d'un dire singuli rement ouvert l'Autre. En examinant des textes de 1999-2019, Aaron Prevots souligne le lyrisme d centr d'un po te majeur et la pr sence de ses pairs comme interlocuteurs.
In Esther Tellermann: Enigma, Prayer, Identity, the first book-length study of the writer's oeuvre, Aaron Prevots highlights her innovative poetic approach to inner and outer realities. He shows how Tellermann (1947-) explores the world's innermost structures, its textures and contours, its indeterminate places that seemingly intersect, and dreams and myth as springboards for experiencing anew historical turning points and timeless rites of mourning. He considers the enigmatic quality of long suites of poetic song whose form can resemble that of prayer, as well as the stakes regarding identity when poetic expression foregrounds openness to the Other. In examining texts from 1999-2019, Aaron Prevots emphasizes this major poet's decentered lyricism and the presence of fellow writers as interlocutors.
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