As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including The Golden Fruits, which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir Childhood may in fact be Sarraute's most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, Childhood is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and indeed, the truth. Her relationships with her mother in Russia and her stepmother in Paris are especially heartbreaking: long-gone actions are prodded and poked at by Sarraute until they yield some semblance of fact, imbuing these maternalistic interactions with new, deeper meaning. Each vignette is bristling with detail and shows the power of memory through prose by turns funny, sad, and poetic. Capturing the ambience of Paris and Russia in the earliest part of the twentieth century, while never giving up the lyrical style of Sarraute's novels, this book has much to offer both memoir enthusiasts and fiction lovers.
Madame Sarraute, who is in the twilight of her distinguished career, writes not of memories of her childhood, but rather of memory itself. Read this not to learn of her childhood memories, but to hear her teach us what are the building blocks of memory. What is it that causes us to remember one event, and not another? Why is one memory so attached to others? Why do we care about the memory more than the event? Sarraute knows, and tells us. This book is not for cowards. Or youth. Since she has taught us about memory, we cannot help but use those lessons to explore our own. Perhaps then, the book is really not about Madame Sarraute's childhood, but our own.
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