Maurice Mierau tackles big subjects--sex, senility, war, suicide--without a ponderous bone in his body.
His approach to poetry is amazingly vital, with a strong pop sensibility and a wry sense of humour. These poems are ripe with the atmosphere of a Wim Wenders film, with a little Isaac Bashevis Singer sprinkled in--an unforgettable mix of horror and fable. Jarringly beautiful at times, Ending with Music offers a vivid sense of person and place, encompassing Rilke, the rural Mennonite past, and the atrocities in Srebrenica.
"when the executioner struck off the man's head something flew