In lie's Manor, the so-called family curse is neither supernatural in the traditional sense nor punitive. The manor is not haunted by malevolent forces, but functions as an ancient system that keeps the dead active by feeding on the fear of the living.
Marc, lie's friend, has in fact been dead for a long time. His presence is not a threat, but a function: he remains as long as fear gives him a purpose. Likewise, the Vanbluck family members are not cursed, but designated, generation after generation, to sustain this system - sometimes at the cost of their lives.
Ginette, the grandmother, hanged herself not out of despair, but to refuse passing on this role. L a became mute because she saw too early what a guardian becomes: a stable, useful presence deprived of freedom.
The resolution does not come through exorcism or destruction of the manor, but through a conscious process: naming the dead, removing their function, refusing the role without fleeing. When fear no longer sustains the system, the house falls silent, the lake releases the memories it held, and the "curse" dissolves on its own.
The novel ends with a collective departure: lie and the others leave the manor together - without sacrifice, without inheritance to pass on. Marc accepts to leave, not because he is freed, but because he is no longer needed.
The curse ends not because it is defeated -
but because it no longer has any reason to exist.