'Life asked Death why he needed her to live / And Death asked Life why she needed him to die.' So begins Miquel's El guant de pl stic rosa / The Pink Plastic Glove; a lyrical, acute, and metaphysical sequence of poems some fifteen years in the making. At the heart of Miquel's collection, we've a central image. An unnamed man in a state of constant decomposition, rotting away in the kitchen sink. Piece by piece, his slow unbinding underpins a train of images wrought in sensuous, playful, and dynamic language. Stark vignettes spun from everyday colloquy-run through with the aura of Catalonian Renaissance writings-and gilded with a patina of light, a glut of shadow, and a blur of sensory experiences. El guant de pl stic rosa houses 36 studies of the dynamics of decay. The purr and buzz of bees humming, off-stage asides, slaughtered cows, mountains made of olive stones, the hum of a permanently empty refrigerator, and edible dreams littered with dahlias and roses, with carnations and colourful chrysanthemums... Here, sex rattles the bones; Miquel's pages percolate with love, with life-with the subjectivist and social connotations of disease and decay-and on the prospect of mass destruction in a world itself on the brink of a self-inflicted extinction. In Peter Bush's visceral new translation, this chaos of signifiers sing-speaks its way through the undying days of a century beyond its "sell-by," and cogitates on life-so furnished with all its illusions and ironies-in an age consistently defined by its constant decline. Awarded the Ausi s March de Gandia 2016, El guant de pl stic rosa defies neat categorisation, and publishes with Tenement Press in its first English language edition.
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