The composition is not descriptive, however the general "tone" of the poems which constitute "Eikhah" reflect on every movement. It is not a Symphony in the traditional meaning because it does not fit in the sonata form: two opposing and complementary themes or ideas. Rather it is a Symphonic Poem without "programme", where each movement is inspired from the poems of the book "Lamentations" (Eikhah). The composition employs a large orchestra, with a full set of percussion instruments. One main tone-series is used as a "leitmotiv", this series is used as is in the first and last movements and its variations are employed in others. The pitch material on which all movements are based is in the form of one main and some derivative tone-rows which emphasize the intervals of minor and major thirds. The result of this selection of pitches creates an overall sound-color which stands apart from the usual distinction of consonant versus dissonant. The music can be at times almost "post-Romantic", Bruckner-like, but also "pointillistic" at others.
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