Effigy: Mormons. Polygamy. Taxidermy. Love.

By Alissa York

Book Overview

A stunning novel of loss, memory, despair and deliverance by one of Canada's best young fiction writers, set on a Mormon ranch in nineteenth-century Utah. Dorrie, a shock-pale child with a mass of untameable black hair, cannot recall anything of her life before she recovered from an illness at seven. A solitary child, she spends her spare time learning the art of taxidermy, completely fascinated by the act of bringing new and eternal life to the bodies of the dead. At fourteen, her parents marry her off to Erastus Hammer, a polygamous horse breeder and renowned hunter, who does not want to bed her. The role he has in mind for his fourth and youngest wife is creator of trophies of his most impressive kills, an urgent desire in him as he is slowly going blind. Happy to be given this work, Dorrie secludes herself in her workshop, away from Mother Hammer's watchful eyes and the rivalry between the elder wives. But as the novel opens, Hammer has brought Dorrie his latest kills, a family of wolves, and for the first time in her short life she struggles with her craft, dreaming each night of crows and strange scenes of violence. The new hand, Bendy Drown, is the only one to see her dilemma and to offer her help, a dangerous game in a Mormon household. Outside, a lone wolf prowls the grounds looking for his lost pack, and his nighttime searching will unearth the tensions and secrets of this complicated and conflicted family. Inspired by the real events of the Mountain Meadows Massacre in 1857, Alissa York blends fact with fiction in a haunting story of a family separated by secrets and united by faith. From the Hardcover edition.

• Format: Hardcover
• Language: English
• ISBN: 0312386729
• ISBN13: 9780312386726
• Release Date: September 2008
• Publisher: Thomas Dunne Books
• Length: 352 Pages
• Weight: 1.30 lbs.
• Dimensions: 9.5" x 1.2" x 6.4"

Customer Reviews

Excellent.

Believe it or not, a real wolf and an imaginary crow figure prominently in the impressive array of essential characters in this novel. Not that it is lacking in plot, but clearly, it is more of a character-driven, imagistic work. Erastus Hammer is a four-wived Mormon horse-rancher in 1860's Utah. Because of his failing eyesight he is forced to pursue his greatest passion [the shooting of animals] by relying on his Native American guide, Tracker. Erastus claims the spoils, but Tracker fires the shots. Erastus selected his fourth wife, Dorrie, specifically for her unique talents at taxidermy. She faithfully "resurrects" all of the carcasses deposited at her workshop, but seems to be having an unusually difficult time bringing a certain wolf pack to life. There is so much I could say about the diversity of Hammer's four wives. Of the way the title of the book relates to its content. Of the guilt and longing in the heart of Tracker. Of the winding way that "Bendy" Drown becomes a farmhand on the ranch, or how he becomes the agent whereby Dorrie herself is resurrected. Of the foreboding terror a vengeful wolf wreaks upon the household as he howls at night, stalking the perimeter of the homestead. Of the rich way the author reveals the horror of the [real-life] Mountain Meadow Massacre, which took place in 1857 when a wagon train from Arkansas en route to California was ambushed. Dorrie survived this horror, as she will survive the dreadfulness of being Erastus Hammer's wife. Instead of providing synopsis, I would point you towards the book itself and encourage you to pick it up. The beauty of Effigy involves the intricacy of the threadwork. Grimness delivered with grace. Through letters, flashbacks, dreams, insights into the hypocrisy of religious devotion gone awry, and ever-eloquent narration, Alissa York has provided me with one of my favorite reads of 2008. Effigy is a wonderful patchwork-quilt of a novel. Eerie, ominous, riveting and intricate. Searing in the end, and delicious [albeit bittersweet] in revenge and reward. The author has said, "I want people to really feel a lot. It's not my goal to just make people think. I want them to think, but I want them, more than anything, to feel." Here in Effigy, she succeeds at both things.