This one's dark folks. I have to say I didn't expect Steinbeck's "East of Eden," to catch me the way it did. The themes Steinbeck struggles with are epic--the relationship of men within the family, good and evil, human nature. Critics derided the novel when it came out and it may have left Steinbeck struggling to write in his waning years, but the Nobel prize he received shortly after "East of Eden's" release was truly deserving. Truly deserving because of the work of "East of Eden," and not despite it.I read the wonderful and incomparable biography "John Steinbeck, Writer," by Jackson J. Benson before tackling "East of Eden," and it tainted my expectations. Some criticisms of the novel I found initially true. Steinbeck seems to be more straightforward and writes more of what's on his mind instead of letting the story and characters breathe these things naturally. At some point in the novel that approach strikes me as breaking the novelist dictum of, "show don't tell." Steinbeck does a lot of telling. Surprisingly enough, in the end, this slight misstep strengthens the overall story. It puts you in the mind of Steinbeck and allows the reader to gain a deeper understanding of the dark dark nature of some of "East of Eden's" characters.Steinbeck always tended to have a dark side, but "East of Eden," is a stark look at the underbelly of humanity. However, while we are looking at the underbelly of a seemingly upright community of Salinas, we also see that humanity is redeeming. Some of the very incomprehensible evil within a person is matching by a boundless capacity for good. How can that be? This is why Steinbeck's "East of Eden," surpasses the better known and wider read, "The Grapes of Wrath." Steinbeck seems to accept human nature and not sugar coat. He tells it like it is.Steinbeck struggled and struggled to write and finish "East of Eden." The scope of what he was trying to attempt was extremely daunting...almost debilitatingly so. Steinbeck tried to retell the story of "Genesis," set in his hometown of Salinas...drawing from his own life, the town's life, the times between the Civil War and World War I. He pulls it off with quite some characters...Adam Trask and his twin sons Caleb and Aron, their mother--the completely evil Cathy/Cat/Kate, Adam's evenly evil and good brother Charles, the sage Chinese Lee, and the beautiful of mind, body, and spirit love interest of no less than Caleb, Aron, and Lee...Abra. I think to call, "East of Eden," lacking in story and characters is severely missing the mark. Another criticism of the book is that the Chinese character of Lee is a racial stereotype. I didn't find this to be the case. Lee seems to be a multi-dimensional character that if anything deepens the understanding that his ethnicity takes a back seat to his humanity. Another criticism is that the character Kate is too evil...to the point of dehumanization. Steinbeck's portrayal of Kate may have roots in his failed relati
The best book I've read
Published by Thriftbooks.com User , 21 years ago
It's always difficult reading a book that has been praised to the skies without expecting too much, and that's why it usually fails to deliver. Those who read it after this book became an Oprah Book Club selection seem to have come to it with just such expectations.Try, however, to always approach a book or movie, however much it has been praised, as any other. Simply pick it up and read it without any expectations. This is how I read it, and gosh, was I pleasantly surprised. The characters are people I wish I could know personally--especially Samuel, I wished I could be one of his many children just to have him as a father; Lee, so taciturn yet wise and always there, such a comfort to have and know such a person; and Caleb, whom we tend to identify with in so many ways. True, the story might have extremes, and be predictable if you were able to keep yourself so uninvolved in the story. Those who commented on the 'plot', perhaps such a book is not what you ought to read. Pick up a Grisham or some other fast-paced 'plotty' book. East of Eden is for those who think, who care about who they are and who they want to be or ought to have been. People have talked of its being depressing. It's not. I hate depressing books myself. At least it's not a meaningless depression in which you can't identify with the story at all, but it simply sucks you down. This book made me cry at many points--from empathy or sympathy for the characters, from the beauty of the language, and from appreciating the wisdom in it. I admire passages, descriptions, dialogues so much in this book that I re-read them, and re-read the entire novel already, and may do so again. I'm not the kind who likes to re-read books either. There's simply so much wisdom and simplicity and reassurance in here that it's a treasure--for me, at least. I think I'm lucky to have a book that means so much to me.
Classic Novel Illustrates Classic Struggle of Good Vs. Evil
Published by Thriftbooks.com User , 22 years ago
John Steinbeck is at his best in this classic tale of sibling rivalry as he examines what we become vs. what we *may* become. The Biblical tale of Cain and Abel sets the tone as we are introduced to two sets of brothers. Each tries to win the love of his father in different ways. The story of why one brother succeeds while another feels unloved is beautifully told.Adam Trask, from the first set of brothers, repeats his own story with his sons, the twins Aron and Caleb. The enduring themes of light vs. dark, good vs. evil, hatred vs. love, and always the free will, the ability to choose one's own destiny are paramount to this rich and multi-layered tale.Above all, it is the characters you will long remember from this riveting saga. Cathy, the whore with a heart of stone, has to be one of the most evil characters in all literature. She kills her parents, beds her husband's brother on her wedding night, shoots her husband and desserts her infant sons. And, all this before she turns really bad! Truly a character to be analyzed for decades to come. On the other hand there are the wonderful characters of Samuel and Lee, men you will long remember for their wisdom, caring, and sheer goodness. And there is Adam, a zombie of a man until his great re-birth and spectacular failure finds him caught in a web of good and evil that he will long struggle with.John Steinbeck puts himself into the novel, as Samuel Hamilton is based on his own maternal grandfather. The entire Hamilton clan is one that represents the true "salt of the earth" and elevates this to "great American novel" stature.The story is complex and involving, the characters unforgettable. Kudos to Oprah for reviving interest in this wonderful story.
The Eternal Struggle
Published by Thriftbooks.com User , 22 years ago
John Steinbeck's EAST OF EDEN was not well received by critics when it debuted in the 1950s, and although passing years have seen several re-evaluations it is still reguarded as secondary to the likes of GRAPES OF WRATH and OF MICE AND MEN. It is true that the novel is flawed: it is a great big rambling thing crammed with obvious allegory, metaphor, and allusion, loosely structured to say the least. And yet, in a odd sort of way, the very rambling, the looseness, the obviousness of the work gives it a tremendous grandeur that Steinbeck's more tightly structured work lacks. The novel is as broad and vulgar and lively and provocative as the America it describes--and it is my favorite of Steinbeck's fiction.Any one who comes to the novel from the famous film adaptation starring James Dean will be surprized, for the roots of the novel run much deeper than the film, which is based only on perhaps a third of the novel. This is not so much the story of brothers Aaron and Caleb Trask as it is the story of their parents, Adam Trask and Catherine Ames. And in "Cathy" Ames, Steinbeck creates one of the darkest characters in all of 20th Century American Literature, a creature devoid of virtually anything recognizable as human emotion. Fleeing from a past that includes murder, perversion, blackmail, and prostitution, Cathy assumes an angelic demeanor and lures the emotionally needy Adam Trask into love and marriage. And when she no longer requires his protection... she destroys him.It is the stuff of classic melodrama, but in Steinbeck's hands it becomes more than melodrama; it becomes a novel that alternately reads at leisurely pace and then suddenly reads with the speed of a whirlwind, a tale that forces us to consider the nature of good and evil and the legacies we may leave for later generations. For Adam and Cathy have two sons, and in the wake of their tragedy they will be left to fight out issues of moral choices, right and wrong, and love and hate in the sun-drenched Salinas Valley of California, the "golden west" of the "new world" as it rushes headlong into the modern age. It is a novel epic in history, geography, and morality.Some will find the novel's constant reference to the story of Cain and Able more than a little obvious; others will find it too meandering, filled with too many side-issues and minor subplots. Still others may be put off by the very slow way in which the novel gathers itself during its first hundred or so pages. But once the pieces are in place, Steinbeck suddenly pulls the threads together to create one of the most remarkable tapestries in American letters--a tapestry that has no clearcut boundaries and that, for all its simplistic tone, offers little in the way of simplistic answers to the issues it raises. Flawed, yes, but a great novel by a master of the form, so great that its flaws become intrinsic to its virtues. Strongly recommended.
Evil is temporal; Virtue is immortal.
Published by Thriftbooks.com User , 24 years ago
Steinbeck proposed four potential titles before he settled upon East of Eden. I looked up the phrase in the Bible and found that it appears twice in Genesis (3:24 and 4:16); both accounts denoting an instance where man experienced a separation from the blessings that God had intended for him. I think this is very significant as we consider what Steinbeck was writing about in his allegorical novel. He says in Chapter 34, "We have only one story. All novels, all poetry are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal."The contest is in ourselves! Surely this is what East Of Eden teaches us while we enjoy the sweeping story, so well told. It is deadly realistic, as beautiful and revolting as is the actual human potentiality for good and evil. With brilliance, Steinbeck contrasts a sea of temperaments in these characters, and shows us all the while that life is much more than the choices we make, but it is never any less. Adam Trask is the representative of good intentions, of a conscience which responds to the good as the eye responds to the light. Samuel Hamilton also represents a similar (perhaps even more well-honed) goodness. But Adam is the one who has been deceived, by a force every bit as essentially evil as Eden's serpent in the tree. This is Cathy, a character so reprobate that evil isn't something she does, it's something she IS that INFECTS everything she does! After abandoning her twin boys Caleb and Aron to the care of their father (Adam) she returns to her life of debauchery. The boys grow up unaware that their mother is a serial murderer and owner of a whorehouse. Because Adam never fully recovers from his shame, his loss and disillusionment, he is not able to convey the appropriate unconditional (equally distributed) love to his sons. This leads to jealousy and rivalry in his boys, and is a generational replica of his own childhood.How can one summarize such a vast epic story? But for me, one of the most powerful scenes and a turning point (perhaps the denouement?) is when Caleb finally sees his mother in all her non-glory, and says to her... "I don't have to be you." The reader can notice that really no-one is the same from this point on, there is a real unravelling here. For Cathy (now "Kate"), this marks the beginning of her own self-destruction, the awakening of her own conscience. She's been defied!One of the tendencies of the modern age is to deny radically the absolute nature of conscience, reducing it to a matter of temperament, or to a product of history or social environment. But East of Eden plows right through a tangle of sociological, psychological, and historical half-truths to the elementray fact: CONSCIENCE EXISTS.
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