Poetry. With 21 illustrations by David Munson. When Jack Kerouac deviated from the traditional haiku form, he began calling his poems "pops." Andrew Rihn deviates even further, to the edge of formlessness, adding a new entry into the rubric of "American pops." With short, sudden flashes, the reader is given glimpses of pop culturethe celebrity, the sloganeering, the fetishism. These poems remind us that we are all tethered to something dark, violent, and absurd that lies hidden below the surface of late capitalism.
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