This book takes a completely fresh and controversial view of the playwright, Thomas Dekker (1570-1632). Gasper reveals Dekker as a bold and pugnacious writer who constantly experimented with form in order to find a vehicle for his militant Protestant ideas. He examines in particular Dekker's central work, The Whore of Babylon , showing how the play's apocalyptic ideas and concern for the international True Church provide the key to understanding all his work.
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