What distinguishes fiction from non-fiction in first-person narratives? What is the difference between a novel and autobiography? What makes a first-person narrative a literary work of art? If fiction is a self-contained meaning structure, what frame of reference can we use to tell if the narrator is lying? Using a phenomenological approach to these questions basic to both literary theory and practical literary criticism, Lucy L. Melbourne develops a model of the unreliable first-person narrative. By applying it to three challenging works, Saul Bellow's Dangling Man, Albert Camus's La Chute, and Franz Kafka's Ein Landarzt, she shows us how to read between the lines to discover the implicit text structuring first-person narratives into literary works of art.
Format:Hardcover
Language:English
ISBN:0820402648
ISBN13:9780820402642
Release Date:December 1986
Publisher:Peter Lang Inc., International Academic Publishers
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