AN INSTANT NEW YORK TIMES BESTSELLER As alluring as it is unsettling, award-winning author CG Drews' debut YA psychological horror will leave readers breathless and hesitant to venture deeper into the... This description may be from another edition of this product.
I absolutely loved this book. If you’re reading the reviews please know AP is wrong, just because a character is queer does not mean that’s all the character is and represents. The MC is struggling with anxiety and has panic attacks, why are they not saying it portrays everyone with anxiety as a monster? Why not say all boys, or twins, or Australians are monsters? Because that would be ridiculous. There is no such thing as perfect representation when it comes to people because we’re all multifaceted and messy. This character is not without fault and that’s part of what makes the story so compelling and hard to put down. I would not say he is the villain, but I would argue he’s selfish and doesn’t realize his own role in the situation until well too late out of sheer refusal to look. Again though, people are messy and emotional. I find it overall to be a perfect one shot balancing horror, romance and angst. If you’ve ever watched Jennifer’s Body and declared it a sapphic story, or spent time with video essays about queer love/relationships portrayed through horror you will enjoy this book. If part of you finds something romantic in obsessive codependency veering on desperation the limited amount of ff around this story will haunt you as much as the book itself. If you want characters that aren’t “creepy” maybe don’t read a horror. AP if you ever read this know you’re wrong and I would bet money you didn’t find any of the drama or angst of Twilight annoying or unnecessary, yet there’s WAY more. Maybe stick to Beautiful Disaster, that seems more your speed Pigeon
Horrible Representation
Published by AP , 1 year ago
There's a right way to write representation and then there's this...without giving too much away, the main character is the antagonist and checks many boxes for representation. If you're going to write representation into your books, don't write it into the villains of the story and don't make them creepy, because you're telling your audience representation is creepy.
Not to mention nothing happens in the first 100 pages of the book. Every sentence is dripping with annoying drama and teenage angst to create a mood that doesn't need to be there because nothing is actually happening until you get about 100 pages in.
I will say I loved the illustrations, but the old maxim holds true--don't judge a book by its cover--because it touts representation and recasts it into monstrosity.
I let the forest in, and I don't regret it
Published by Aislinn M , 1 year ago
Andrew and Thomas are inseparable best friends who bring out the best and worst in each other. They attend a prestigious boarding school, and only have themselves to rely on. Dove, Andrew's twin sister, has always been a grounding influence, but during their senior year, her devotion and care can't hold off what lurks in the forest... and eventually in their hearts and minds. The imagination is always the scariest place to visit, and I loved every minute of it!
This book is disturbing in all the best ways, and dark and moody, and difficult and confusing. I couldn't put it down. I finished it months ago, and I am still haunted by the ending. The stories Andrew writes, the drawings Thomas creates, and all the mystery and mayhem make this book a gripping must-read.
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