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Paperback Don't Believe It!: How Lies Become News Book

ISBN: 1932857060

ISBN13: 9781932857061

Don't Believe It!: How Lies Become News

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Book Overview

Do you think shamed journalists Jayson Blair and Stephen Glass were rare bad apples? Far from it, they were just the ones stupid enough to get caught. Alexandra Kitty demonstrates with example upon... This description may be from another edition of this product.

Customer Reviews

4 ratings

Behind the smoke and mirrors of the media

This book was purchased for a college English class that combined journalism with traditional English. I was hesitant about reading it at first, thinking it would be a sensationalist book preaching about how everything is a lie and such. In fact, I found that I really enjoyed it. Thankfully void of neither a left nor right wing bias, and all together facts, not opinion. It really makes you think and consider what goes on in the media today. It amazes me how many things news outlets get away with. As Kitty points out, they're in it to make money. I definitely began looking closer at the news after reading this book. It was very interesting, and readable.

Belongs in every home in America

This book looks at how, and why, so many scams, hoaxes and other falsehoods seem to make it into the news. If there is such a thing as The Reason for such a state of affairs, it is that, in general, journalists don't bother to check a story's accuracy. In this 24-hour-news world, there is little, or no, time to be thorough. It is better to be first than right. If a story has been covered by some other media outlet, it must automatically be legitimate. Also, an increasing number of scam artists have learned to package their scams in a media-friendly way. All of us have seen such stories in the news. Some people claim to have found disgusting things in their food, like needles in soda cans, or fingers in chili. During Gulf War I, there was the widely reported accusation that Iraqi soldiers burst into Kuwaiti maternity wards, took the babies out of incubators, left them to die on the floor, and took the incubators. A popular story is the one about a crime victim, or someone, especially a child, fighting some major disease. Whether or not the poor individual actually exists tends to be forgotten. What if the reporter is the one who says they are sick, but then it turns out to be a lie. How many of these stories turn out to be true? Included are a list of questions that the media consumer can ask to help weed out the hoaxes. How well is the story sourced? Is the story over hyped? Is the rumor inflammatory or slanderous? Does this interview subject have something to gain by lying? Was a "friend of a friend" the origin of the rumor? Does the story rely on unnamed sources? In war zones, does one of the warring sides seem to have media training or have hired a public relations firm? This book belongs in every home in America. It does a fine job of showing just how easily scams and hoaxes can become news, and helping the consumer to distinguish them from legitimate news. The writing is first-rate and it is really easy to read.

Read this book

Many of us have noticed how instead of news, we get more and more sensationalism, opinions, staged news, and complete hoaxes. We see a few accusations of a "liberal" or a "conservative" media. But that misses the point; what we really have is a lying media. A media for which truth has become an enemy rather than a value. Of course, ratings are the goal, and truth may well interfere with that goal, at least in the short term. And we see some folks even claim that truth is just relative anyway (and only in the eye of the beholder). But it isn't. There is such a thing as honest and accurate reporting. And we consumers need to have a way to say so, objectively, when we're not getting that. I think people of all political persuasions need to read this book. I'm a liberal, and I found myself sympathizing with some of the author's complaints politically. But I would have sympathized with some of them had I been a conservative. I was impressed by the way that the author analyzed bad reporting independent of its political stance. I was especially intrigued by the section on propaganda. Here, Kitty shows us how the media feed us an overdose of dubious anecdotes, demonization, and material from which relevant parts have been censored. We see stories with all sorts of logical holes that are simply designed to get a reaction from the audience rather than report accurately, educate, or inform. And we are misled by straight-faced claims that are utter nonsense, such as that prosperity for one side in a struggle would be a violation of rights for the other side. I do not know how thoroughly the author takes her own advice. But we certainly ought to!

Excellent Look Inside media bias

Alexandra Kitty reveals as true, what a growing number of people have long suspected: the media reports their biases, not the facts. Senior news directors at most TV stations, and editors at most news papers have biases and prejudices that lean heavily toward socialist economics, left wing social engineerning, and support for other destructive agendas. The journalism schools know this, and teach students accordingly. The result is that colleges and universities no longer train people for jouralistic or fact-gathering excellence -- instead, they filter out all but the most extreme leftists from the ranks of prospective news reporters and editors. Creative writing has replaced facts. Alexandra Kitty shows how extremist feminism, pro-abortion reporting, extreme anti-business views, environmental radicalism, support for pedophilia and homosexuality, and several other radical views have become "mainstream" in media reporting, as the content of "news" has increasingly become tendentious and misrepresentative. Ms. Kitty documents how the media have all bue abandoned fact-based reporting in favor of sensationalism and selective presentations of carefullly arranged facts that serve as propaganda for the causes favored within the culture of modern media. She also shows how the media's internal culture has become increasingly isolated and removed from the real mainstream views and experience of most Americans. The most extreme media views are the product of what Roger Kimball termed "tenured radicals" (in his 1990 book of the same title), and what Allan Bloom identified as "the closing of minds" in his landmark 1987 tome. The top editors and content directors in the American media long ago closed their minds to facts, and insisted on political correctness as a condition for promotion or advancement in their organizations. Newly hired reporters and college graduates quickly learned that sensationalism and left-wing reporting (even if it was full of outright lies) were a ticket to advancement, while balanced or objective reporting that stuck with the facts led to a stalled career. The result has been a series of high profile cases where top reporters have been caught reporting complete fabrications, and gettign off with just a mild reprimand. Ms. Kitty shows that the cases of Jayson Blair and Stephen GLass were not unusual; what was unusual is that they were careless and left a broad paper trail that led to them being caught in their own webs of fabrications and falsehoods. Alexandra Kitty has a long career in criminal investigations, and what she has uncovered in American (and Canadian) media is a crime of sorts: the media's claim to be reporting "news" is a fraud. This is a shocking book, not likely to be reviewed in your local newspaper, or in other commercial media.
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