Domain Errors!: Cyberfeminist Practices: A subRosa Project

By Maria Fernanadez

Part performative intervention, part radical polemic and activist manual, this book introduces a diverse international group of feminist writers, artists, theorists and activists engaged in formulating a contestational politics for tactical cyberfeminism. This recombinant book highlights productive intersections of feminist and postcolonial discourses through critical analyses of the embodied politics of digital culture. Opening areas repressed in previous cyberfeminist discourse, the authors map contemporary social relations between women as they are mediated and transformed by digital and bio technologies.

• Format: Paperback
• Language: English
• ISBN: 1570271410
• ISBN13: 9781570271410
• Release Date: July 2003
• Publisher: Autonomedia
• Length: 287 Pages
• Weight: 0.90 lbs.
• Dimensions: 0.6" x 6.4" x 9.0"

Customer Reviews

Interdependent thought and action

Edited by Maria Fernandez, Faith Wilding and Michelle M. Wright, "Domain Errors! Cyberfeminist Practices" is a provocative collection of essays, poems and art works that thoughtfully analyzes technology's impact on women and suggests possibilities for radical change. The book is a project of subRosa, an organization that is dedicated to articulating a sophisticated cyberfeminist critique of society. The book is divided into three sections. "Racism and Cyberfeminism in the Integrated Circuit" contains seven articles that pertain to the social relations of the Internet. Maria Fernandez and Faith Wilding contend that cyberfeminists must challenge and subvert power in order to privilege people over centrally-controlled systems of technological production. Maria Fernandez demonstrates how racism persists in online culture and highlights the necessity of addressing the problem in the offline world. Michelle M. Wright connects Hegelian thought with mainstream culture's tendency to minimize the contributions of minorities to our intellectual heritage. Other thoughtful essays in this section include Lisa Nakamura's insightful discussion of the racial dynamics displayed in the movie "The Matrix"; Irina Aristarkhova's personal account of Russian imperialism and the concept of otherliness; Susanna Paasonen's critique of corporate websites and their false representations of female empowerment; and Rhadika Gajjala and Annapurna Mamidipudi's musings on how women from the global South might gain real power (and not be coopted) by joining online communities. "The Female Flesh Commodities Lab" contains eleven pieces that examines biotechnology and other related sciences of the body. Lucia Sommer ponders how to represent reality within the context of an increasingly commodified culture that is seduced by biotechnology. subRosa's article on assitive reproductive technologies (ART) critiques the industry's profiteering from the biological control of women's bodies. Faith Wilding discusses the problematic relationship of medicine with women's sexuality and compares ancient genital mutilation with modern plastic surgery. Emily de Araujo and Lucia Sommer provide a brief history of eugenics in the U.S. and connects it with the growth of today's biotechnology industry. Other articles include Lucia Sommer's Marxist-inspired analysis of globalized capital's ongoing exploitation of age, race, gender and class; Pattie Bell Hasting's clever piece comparing mothering functions with computerese; subRosa's guide to conducting a college-level workshop that critiques art, biotechnology and eugenics; Amelia Jones' highly personal chronicle of her mental and emotional struggles with infertility treatments; Christina Hung's lessons on female empowerment achieved through alternative healing; Tania Kupczak's exploration of how ART has created new opportunities for gay and lesbian households to form families; and a short poem by Lucia Sommer. "Research! Action! Embodiment! Convivi