Best known for his piano music, D odat de S verac (1872-1921) also composed orchestral and vocal works, including opera, cantata and incidental music. In this book, Robert Waters provides a much-needed study of the life and works of S verac, focusing on the composer's regionalist philosophy. S verac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.
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