Photographing a decisive moment can get you killed... or turn you into a killer. Some moments come full of joy and potential. Special moments come only once and often vanish in an instant, so you best stand ready to grab them as best you can. Photographers understand that. They train, gear up, and prepare to wait for that moment and capture its fleeting image forever. Except not all moments are like that. Some of them you best leave alone. Some of them you'd rather miss altogether. Like for instance, a movie star and her cartel boyfriend murdering her producer. Because photographing a decisive moment can get you killed... or turn you into a killer.Fine-art photographer Roger Morris should not have taken a paparazzo job to fill in for his loser brother. He shouldn't have used his military training to pick a perfect sniper's perch from which to aim his telephoto lens at movie star Vivian Matisse and her Mexican cartel boyfriend, and he shouldn't have photographed them murdering her movie producer. Now Roger must decide whether to turn the photos over to the police or sell them to the highest bidder so he can pay off his brother's violent bookie. Through what follows Roger will struggle to hold on to his new life as an artist, suspecting that as he runs out of options, the only way out traces along the barrel of his sniper rifle.
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