Death in Rome

By Wolfgang Koeppen

Book Overview

Death in Rome tells the story of four members of a German family--a former SS officer, a young man preparing for the priesthood, a composer, and a government administrator--reunited by chance in the decaying beauty of postwar Rome. A chilling account of Nazis after the war, here the older generation is resentful but not repentant. From the old unreconstructed Nazi officer Judejahn (the name has a suggestion of "Jew hunter") to the young and apparently gay priest, from the supposedly reformed Mayor to the acclaimed but haunted young composer Siegfried, no clear hope emerges. And amid haunting flashbacks and against the shadows of Rome with its imperial echoes, the darkness is alive. Brace yourself: the novel takes place over a two-day period, mostly at night, and it's certain that the present will be governed by the past, if you let it. In Death in Rome, Koeppen amply demonstrates that evil doesn't simply cease once it loses a war--it seeps out, hungry to exist in other forms. And as Siegfried confesses: "In my daydreams and nightmares I see the Browns and the nationalist idiocy on the march again."

With Pigeons in the Grass and The Hothouse, it concludes Koeppen's masterful trilogy.

• Format: Paperback
• Language: English
• ISBN: 0811240029
• ISBN13: 9780811240024
• Release Date: May 2026
• Publisher: New Directions Publishing Corporation
• Length: 224 Pages
• Weight: 0.44 lbs.
• Dimensions: 0.7" x 5.1" x 8.0"

Customer Reviews

Excellent Insight into Post WWII-Germany

This serves both as a guide to the beauty of Rome, with the Eternal City as the backdrop of this book, and a guide into the soul of post World War II Germany. An excellent plot, and interesting story, and incredible literary techniques make this a must-read for anyone with an interest in Rome, post-World War II Germany, or German authors in general. The sheer number of profound statements in this book is a testament to the genius of Wolfgang Koeppen. In addition, this is not a heavy read, thanks to a great translation, it is quite an easy read.

Brutal

"Death In Rome", by Wolfgang Koeppen is characterized by Michael Hoffmann, who both translated the work, and wrote the introduction as, "the most devastating novel about the Germans I have ever read". This book was written in 1954 and when published caused a massive reaction, almost exclusively negative, for the primary characters were either participants in, or the offspring of the World War II Nazi regime. Published only 9 years after the defeat of The Third Reich, its subject matter was still white hot and equally sensitive. This was during a time when people were trying to put the past irrevocably behind them in the hope that time would provide distance, and distance would erode the world's memory.Everything in this book is at the very least provocative even when read from a distance of 50 years. The author even names his characters to overtly provoke, and incite. Gottlieb Judejahn and the other primary characters are family and obviously share the last name. Gottlieb's possession of the name is arguably the most notorious. He is generously characterized as an unreconstructed Nazi SS Officer whose last name combines the word for Jew with the balance that translates to madness, and weed out. Another name Pfaffrath is a disrespectful name for a priest, and the name Adolf needs no elaboration. The author evens ratchets up the tension when the son (the Priest Adolf) of the unrepentant SS Officer witnesses his father as he fouls a room deep in The Vatican. The author says that as he watched, "Adolf Wept".These examples are just parts of the setting that surround a bizarre family reunion in Rome. While unfortunate that Mr. Koeppen's work was so suppressed; it is not a stretch to understand why. With the wounds of the atrocities still fresh in the worlds' mind, and with some of the architects still roaming the streets of Europe, this author had the courage to not follow the crowd advocating let's put the past behind us, and to be brutally candid about what the end of the war meant and did not mean.